new age

  • Don’t ask me why but I have something to literally share with you. For some reason I’ve been carrying around Aki Fukakusa’s Silk Strings Enchanting everywhere I go lately. In this weird time in my life, in between moving to a new place and getting rid of the old baggage, I packed up all my…

  • Due to unforeseen circumstances — aka moving all my record collection to a new locale/home — once again I have to go into the well of knowledge, you the readers, have passed on to me to pass on something else back. Today’s post comes courtesy of a great find by sometime guest, Francis Heaney, who…

  • Interior music. It seems that this is it, everyone. We’ve spoken before about Hiroshi Yoshimura’s  Soundscape 1: Surround, our introduction to Misawa Home’s foundational environmental music series for Japanese prefabricated houses. You’ve probably heard elsewhere Yutaka Hirose’s entry into the series, a collection of peaceful electroacoustic minimalist pastorales aptly dubbed Soundscape 2: Nova. Then, somewhere,…

  • The more I burrow down rabbit holes, the more I realize music has interesting ways of making (seemingly) strange bedfellows work best together. Case in point: Fania Miñaur’s all too brief career and this album, Deja Hablar Al Tiempo. 

  • I’ve got a confession to make: I rarely dream. I know that’s an odd thing to state but it’s true. When I sleep I find that it’s rare that I can remember my dreams or even if I dreamt at all. Strangely enough, my latest mix for Digging Deep at LYL Radio seems to be…

  • In light of everything that is currently happening at the time of this writing, I’d hate to add any dark energy into the world. For times like these, perhaps it’s a good occasion to revisit another work of the trailblazing Hiroki Okano. On ENN, (roughly translating to “circle”), we get to appreciate some of the…

  • Serenity now. Serenity later? Well, not that much later if you’re tuned into the cozy ambiance of little-known New Age musician Chris Stonor aka L’Esprit. Gentle and quietly so unobtrusive, L’Esprit’s sophomore release, Far Journey, somehow gets your attention by doing the little things so right. 

  • Yumiko Morioka’s work under the “Synagetic Voice Orchestra” and her Mios wouldn’t have appeared to me if it wasn’t by happenstance and luck. You see, for a moment in time, Spencer Doran had sent me a message about some wonderful work by one Alessandro Ravi or Raul Lovisoni (turned out it was Mr. Ravi) that…

  • How long can you hold on to a secret? Two years, that’s how long I’ve been holding off on sharing Fred Simon and Liz Cifani’s masterful Time And The River, another in a series of quite autumnal, pastoral, ambient/New Age records that speak to some kind of not-so-profoundly “American” universality. “How come? And how so?”…

  • More magic from the Salt Road. Hovering in between the space of other Awa Muse alumni comes another one from the East, from Osaka to be precise, Kosei Yamamoto’s East Ward. Hard to pinpoint, East Ward, focuses on a fourth world-esque blend of Japanese ambient New Age and jazz. And much like the works of…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic