new age

  • How many second acts can one artist get? Franco Battiato might already be in his 10th or more. At the time of this release, 1995, Franco was a 50 year old man — keep that in mind. Unworried by what was out there, unhurried to prove anything, Franco Battiato (once again) came out of nowhere…

  • Illustration by Laura Gomez I think, no undertaking is ever as enriching if isn’t done with a purpose in mind. For myself, trying to understand and (most importantly) differentiate what makes Japanese Ambient music different than other ways to music led me to an idea. It’s one that I thank NTS for giving me a…

  • Simply impressive. What else is there to say about Tsugutoshi Goto’s City Trickles: 街の雫? Most double-LP’s suffer under the weight of their own reach, but the best one’s justify their length due to the sheer scope of that maker’s vision. And boy does Tsugutoshi Goto have one here. From neck-snapping electro, out-there fusion to impressive…

  • There’s something special about Haitian zouk music, if you look in the right place. Mushi & Lakansyel’s Koté Ou, much like the cover suggests, is a meditation on the intimate and quite unique musical style of this Caribbean nation. A product of all the touchstone influences that have set foot in Haiti — latin, French,…

  • How much are we a product of our past? It’s those thoughts that were floating through pianist Febian Reza Pane’s mind when he created Dreams Of Ganesha. From the first piano note you hear played to the last sustained note your hear ringing, instant memories of the deeply inward “jazz” music of Keith Jarrett start…

  • The Long Living Things (Zoo Of The Sea)

    Masahiro Sugaya has always been an interesting composer. Based in Tokyo, it’s been his music that’s soundtracked dance theater group Pappa TARAHUMARA’s most known works. Masahiro’s music draws from a mix of minimal, ambient, world, and Japanese traditional styles. So, no one album or song can perfectly distill how varied (in mood and sound) each…

  • In a not-so-recent interview with Vice Italy, Lino Capra Vaccina laments that out of his recently reissued work we’re missing most of the picture of what he was trying to do. While Antico Adagio was one of these wonderful totems of Italian minimalism, it wasn’t until a decade, or so, later, in the mega rare…

  • The Green Chinese Table

    This one is a bit special. Last we heard from Seigen, he was introducing us to his very jazz-influenced take on Japanese New Age music. On the follow up to that epic debut, The Green Chinese Table, we find Seigen dividing his time up between recording sessions in Tokyo and New York City. It’s impossible…

  • Let’s take a step back. Let’s take a breather and rediscover the music of Hajime Mizoguchi. Romantic, sunny, and surprisingly graceful, Halfinch Dessert notched another special rung on Japan’s wonderful New Age music from that era. In 1985, it was that debut, that gave us a taste of the string-laden, pining sound Hajime was inkling…

  • Lou Lou Mon Amour (ルール・モナムール)

    For some reason, I’ve been sitting on this album for a long while just waiting for the right season to share it. It’s Everything Play’s Lou Lou Mon Amour (ルール・モナムール) who I owe a huge debt of gratitude to one fellow reader, Wes Almond, who has an equally fascinating Youtube channel who we all should…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic