new age
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There’s a palpable meditation hovering around Lyu Hong-Jun’s masterwork 大地の詩, otherwise known as “Songs Of The Earth” or “Earth Songs”. Recorded for pioneering Japanese prefab home maker Misawa Home, landing place of equally pioneering musical works by Hiroshi Yoshimura and Yutaka Hirose, this album was supposed to provide another soundtrack to the unique, holistic experience they were selling. It’s…
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Illustration by Laura Gomez I usually don’t gravitate towards writing about something I didn’t include in a mix but I just have to make an exception this time, with the final volume of the Japanese New Age and Ambient series I created for NTS. Satoshi Sumitani’s “金の星と銀の星” (Kin No Hoshi To Gin No Hoshi) from 不思議の森～Forest…
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That intersection between organic and inorganic has been something I’ve been chewing on lately. What makes something one or the other? I’d argue that something as simple as the introduction of sampler instruments revolutionized the way we can make that argument immaterial.
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So very lovely. Forgive me if some of you are expecting something more experimental, electronic, or whatever else now. Me, I just want something like this. What is this? It’s the beginning of Ryokyu Endo’s sublime form of Japanese New Age music. In 1994, Ryokyu Endo’s Song Of Pure Land, or The Song Of Pure…
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“Endlessly moving, always alive” no better words can describe this album than Windsor Riley’s own. There’s no way around it, The Move Of Life sounds lame on paper. A late ‘80s release, on another nameless record label, trying to peddle harmless instrumental music that would be at home on the Weather Channel or your local dentist…
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Streams of understanding, via spiritual land bridges, or how a Navajo-Ute found a musical connection with Japanese sonorities/tradition. Somehow, I feel a sense of myself in this music. The first time I heard of Island Of Bows by R. Carlos Nakai (with the Wind Travelin’ Band, Shonosuke Ohkura, and Oki Kano) I was struck by…
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Illustration by Laura Gomez By fits and starts I struggled, for some reason, to create this latest mix for NTS. I had so many ideas. Scrapping them one by one, until I settled on something. “Fire”, this element could mean so many things. I wanted it to mean one thing: breath.
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I’m afraid people might get the wrong impression when they listen to the opening track from Michiko Akao’s Yokobue. What’s there to say about “般若波羅蜜多 – Prajna Paramita”? Manning the iconic transverse flute of Japan, the yokobue, Michiko creates a dark jazz funk piece that somehow manages to mix a vocoder in, in a way…
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Trying to revisit something I wrote about and remember quite vividly, at the time I wrote it, presents two opportunities: the first is to reassess why and how I got into that piece of music. The second opportunity presented by revisiting the past, is whether time has added a fresher perspective since then. When Sifted…
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Certain albums linger in your mind for certain reasons. Tôsha Suihô’s 四季の笛 (Die Vier Jahreszeiten In Kyoto) or Four Seasons In Kyoto is one that I can never forget. The premise for its creation was simple: master flautist Tôsha Suihô travels to various sites in Kyoto and records himself performing within the environment he’s in. What happens, though, is…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic