new age

Mix: 28. Back In The Pool

2019/07/12

Sometimes the best ideas come to you on-the-fly. Truth be told, I completely forgot about this month’s mix for LYL Radio. For the first time in a good long while, I had been strapped for time, making space to plan for a long vacation. So, if I had to carve out time for it, it…
Toshiyuki Honda (本多俊之): Saxophone Music (1986)

2019/07/05

I think that just about does it. If you had on your bingo card Toshiyuki Honda to complete the Japanese “saxophonist goes Avant Pop” game, you’re the winner now! Joining the likes of Yasuaki Shimizu, Genji Sawai, and Hiroyasu Yaguchi, comes Toshiyuki’s Saxophone Music, another album redefining what is exactly that: music played by saxophonists.…
Rob Mounsey + Flying Monkey Orchestra: Dig (1989)

2019/07/02

Is it alright it if I take it easy on this one? I doubt Rob Mounsey would have wanted us to over analyze his Dig. Functioning at my preferred meeting of fun, inventive, and memorable art, Dig is the increasingly rare album that is all of that while remaining distinctive enough to warrant further exploration…
Riccardo Giagni: Kaunis Maa (1988)

2019/06/25

Somehow, I’m stumbling on a theme. This is the second start of the week where I share the utterly brilliant work of another ethnomusicologist. In today’s case, it’s for good reason, I have to share what I consider is one of the Balearic masterpieces — Riccardo Giagni’s Kaunis Maa. Perfect for summer, Kaunis Maa is…
Yoshitaka Azuma (東祥高): Asian Wind (1981)

2019/06/21

Guest post by Giacomo Lee. The first thing that strikes you about Asian Wind is its sleeve. The striking pink and upside-down triangle on the front cover is the handiwork of design group Sign, a Japanese trio who were responsible for, among other things, the cover of Sakamoto’s Thousand Knives LP )back in the tail…
Michael Atherton: Windshift (1990)

2019/06/18

“Inspired ethnological musical exploration from an unlikely source.” — what better way to describe Michael Atherton’s Windshift? Michael Atherton might best be known in Australia as one of it’s leading scholars and practitioners of Aboriginal and Pan-Pacific music but somewhere in his history lies a fantastic composer/musician who understood a fourth way to bridge all…
Koichi Inamoto (稲本耕一): Message From Min-Yō クラリネットでちょっと気どって日本民謡 (1986)

2019/05/31

Coming in clear, not just a message from Min’yō but one of other beautiful Japanese folk traditions from the Muromachi period and others from deep sōkyoku compositions, albeit transformed via newfound ideas (of newer ages), as played through by the late great clarinetist Koichi Inamoto. To put it simply: Well, what’s the Message From Min-Yō…
Rubaja and Hernandez: High Plateaux (1987)

2019/05/21

Here’s another leftfield one from the Windham Hill label. A high mixture of Latin American rhythms, warm digital synthesis, and exploratory brass instruments, High Plateaux by the Argentine-Mexican duo of Bernardo Rubaja and Cesar Hernandez, cement itself as one of the high points and sadly little, further defined areas of little-known Latin American New Age…
Interview: Hiltzik & Greenwald

2019/05/10

Normally, here’s the space where I begin to wax poetically about an album I wish others would take the time to discover. Hiltzik & Greenwald’s Views From A Distance is one of these albums I wished I had copious amounts of history to draw from. It’s one of those albums I hoped someone else had given…
Mix: 24. Sueño Con Mexico

2019/04/19

For this mix for LYL Radio I was feeling more than a tinge of nostalgia. Somehow, one day, hearing the plaintive tones of Pat Metheny’s “Sueño Con Mexico” got me reminiscing about where I come from and how much of the music I love comes from music that triggers memories of things I heard when…