neoclassical

  • It’s not often you get a peek at something legitimately different. Released in 1985, on Canadian record label Attic, Sounds from the Interior (The Music Interior Sampler) seems to mimic the iconic New Age Windham Hill Record Samplers of the ’80s. We all know the drill now. Frame a compelling nature scene on a stark white album…

  • In these dark and foreboding times, it’s important to latch on to things that provide hope. Maybe that’s why the music of Poland has seemed so striking to me lately. The vast majority — at least the majority which remains unheard and “out-there” — of this music was the product of unimaginable restraints. Before the rise of Glasnost and Perestroika,…

  • Sylvan Grey

    If one would pick up a practice as a musician, one wouldn’t normally pick up the kantele as a focus. Of Finnish descent, this instrument that features close to 40-strings, whose closest relatives are a hammered dulcimer, zither, or a Japanese koto, requires nearly devotional study to accurately pick up all its nuances and capabilities.…

  • My apologies to David Lynch fans, but when I imagine what the music of Twin Peaks should be, I imagine something more along this profound piece of music from Toshifumi Hinata than the real life, final product. I say this, because Toshifumi Hinata’s Sarah’s Crime captures a fully idealized musical vision of an in-between feeling. It’s…

  • NOTE: Today, I’m digging back into the A-Track, A-Day archives for a gorgeous piece of autumnal music, Virginia Astley’s From Gardens Where We Feel Secure, one that still remains too criminally hard to find. No matter, it’s my sonic balm for you, today. You can find a lot of what I said then below, but what do I think about…

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