minimalist

Gontiti (ゴンチチ): Legacy Of Madam Q (1987)

2018/01/12

I hate to say it but Osaka guitar duo Gontiti (pronounced Gon-Chi-Chi) really nailed it when they called themselves the creators of “The Most Comfortable Music On Earth”. You see, I first encountered the music of Gontiti in the most unlikeliest of likeliest places. On some fateful day, I was with my partner at a…
Martin Kolbe + Ralf Illenberger: Colouring The Leaves (1979)

2018/01/09

The early instrumental work by German guitar duo Martin Kolbe and Ralf Illenberger is quite breathtaking. When one hears of a guitar duo, immediately one assumes the worst: verbose technicality over concise emotion, bluesy runs used as crutches to help them work together, and a general lack of understanding of what a duo is (and…
Vinterhjärta: Vinterhjärta (1987)

2018/01/02

Deeply icy, floating music from Swedish band Vinterhjärta. Playing like a soundtrack to a particularly windswept, frozen tundra Vinterhjärta’s (which translates to winter heart) sole, self-titled affair, binds all sorts of experimental Swedish conceits — space prog, New Age, and ambient jazz— into one work (released on cassette) that looks for no quarter in the…
Yoshio Ojima: Une Collection Des Chainons II: Music For Spiral (1988)

2017/12/22

When I originally wrote my piece on Yoshio Ojima’s groundbreaking work Une Collection des Chainons I, I couldn’t think of why omitted the second part of his story. Une Collection des Chainons II truly cements what a monumental piece of music (Une Collection des Chainons I&II) for the Wacoal Art Center was. Trying to move…
Nara Leao: Dez Anos Depois (1971)

2017/12/19

Sometime, in the winter of 1971, a young Nara Leao is being besieged by certain elements. Walking through streets and bridges with fellow Carioca photographer Nei Sroulevich, not far from her home, by the river, they are not disturbed by the cold or the snowfall. Enjoying a bit of freedom and space provided by nature, now, Nei realizes,…
Takashi Kokubo: Get At The Wave (1987)

2017/12/08

Just reading about Takashi Kokubo makes one feel decidedly less accomplished. Since the early ‘80s, Edokko Takashi has been knee-deep in the environmental music world. Outside of Japan, few would know that he is responsible for perhaps some of the most terrifying sounds you’ll ever want to hear.
G. B. Beckers: Walkman (1982)

2017/12/05

Günther Beckers music has a perfect word for it: Gesamtkunstwerk. Gesamtkunstwerk is an interdisciplinary artistic work combining various disciplines — music, painting, poetry and design. Wagner conjured up this idea when trying to produce a work that could also wrap in artistic ideas derived from theatrical, poetic, and musical influences. Aesthetics would be the English word…
Masahide Sakuma & dip in the pool: 黒いドレスの女 OST (1987)

2017/12/01

This is such a rare album, for a truly forgotten movie. Masahide Sakuma and dip in the pool’s soundtrack for 黒いドレスの女 (otherwise known as Kuroi Doresu No Onna/A Woman With A Blass Dress) hints at darker themes underlying the whole movie. The movie itself, one starring Tomoyo Harada, was a sexy noir movie based on…
Mix: 7. Only Love

2017/11/22

I was going to write about how much I appreciate all of you, the readers, who keep visiting this blog and give your precious time to discover music I feel passionate about. It’s been over a year since FOND/SOUND began. It’s because of your encouragement and support that this labor of love keeps going. With…
Hiroshi Yoshimura: Flora 1987 (1987)

2017/11/14

There’s something about fall that makes me play Hiroshi Yoshimura’s music much more often. On prior albums like Green, A・I・R (Air In Resort), and Soundscape 1: Surround, Hiroshi perfectly seized on exactly what “environmental music” could be and how it could differ from BGM (background music). No longer mere ambient music, it was decidedly rich, melodic experimentation…