minimalist
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It’s not often that I review something that has me digging through my old piano-playing notes, yet here I am, looking for the right words to convey the construction of sheer joy coming from David Oliver’s music (and specifically his, Hope For La Roo). ‘Trills’, ‘octave runs’, ‘arpeggios’, ‘flageolet’, are some of the not-so-random words…
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Recently, while dabbling in the world of wine reviews, I’ve been ruminating on a term that I believe would be well-adapted for use in the music criticism realm: QPR. “QPR”, or quality-to-price-ratio, is a term used by wine aficionados to denote how much bang for your buck inexpensive wines can provide. While it’s awfully rich…
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Don’t ask me why but I have something to literally share with you. For some reason I’ve been carrying around Aki Fukakusa’s Silk Strings Enchanting everywhere I go lately. In this weird time in my life, in between moving to a new place and getting rid of the old baggage, I packed up all my…
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Due to unforeseen circumstances — aka moving all my record collection to a new locale/home — once again I have to go into the well of knowledge, you the readers, have passed on to me to pass on something else back. Today’s post comes courtesy of a great find by sometime guest, Francis Heaney, who…
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I hate giving you just a taste of anything but Né Ladeiras’s Corsaria has to serve as one today. Ambient and ethereal, Corsaria rightfully belongs in a certain pantheon of Portuguese music, much like the work of Zeca Afonso (and others), trying to bridge that gap between the moorless, Portuguese fado tradition and whatever new…
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As I grow older, I grow increasingly dumbfounded. There’s absolutely no reason Michel Lemieux shouldn’t be a household name now. Here I am looking at a video performance from his salad days and I see a superstar. Much like Peter Gabriel and Laurie Anderson, who he is both compared to in his Wikipedia entry, so…
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How long can you hold on to a secret? Two years, that’s how long I’ve been holding off on sharing Fred Simon and Liz Cifani’s masterful Time And The River, another in a series of quite autumnal, pastoral, ambient/New Age records that speak to some kind of not-so-profoundly “American” universality. “How come? And how so?”…
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To be completely honest with you, I’m still struggling to assess how to introduce you to Goffredo Haus’s Musiche Per Poche Parti. For many it will easily wear the crown of minimalism and experimental music. For others, who can get past its very silicon-based creation, it might speak to a fourth wave of electro-acoustic music…
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Talk about being in the right place and at the right time. Normally, I’m not blessed with great timing but I consider myself fortunate to reach Randy Honea when he had his last copy of Still Life. Now sitting in front of me, in real life, was this, his album — a heady, moving mix…
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With all that’s going on in our world, I thought it would be important to share something that both reminds us of the healing power of music and of a country that is desperately suffering through its crisis. Originally created for Italy’s intriguing healing music label, Ludi Sounds, Raffaelle Serra’s Musiche Per Il Cuore E…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic