minimalist
-
New age records shouldn’t sound (or look!) as fun as German Büdi Siebert’s Hmm…, but I wager no one ever asked Büdi where his records should be classified. If I could compare him to anyone, it would most likely be Don Cherry, a similar artist who has no specific style but a magnificent taste in music. Straddling…
-
It still boggles my mind that Quiet! was in fact crafted by the same artist who sang in the proto-Asian Underground hit “Ever So Lonely“. A severe departure from the proto-Asian Underground Pop she’s known for, Quiet! showed Sheila Chandra working untethered, trying to go beyond the Orientalism of her past work and push it forward in directions that weren’t entirely…
-
Just look at that album cover. Mio Fou’s self-titled debut has an album cover that has fascinated me to no end. You see, the utterly sublime music found in Mio Fou must have some connection to this image. For months I struggled to define what time of the year this picture was taken and what time of…
-
What a lovely hour of music. What’s else is there to say about Ric Kaestner’s criminally unknown Music For Massage? “an hour of soothing music designed for massage therapy” is what the cassette cover states on the Japanese-influenced woodblock album artwork, for once who am I to disagree? Made up of two cassette sides – one a-side devoted…
-
Originally recorded to soundtrack Rentarō Mikuni’s Jury Prize-winning Cannes film festival “Shinran: Path to Purity”, Yas Kaz’s own Shinran/Path To Purity does well to exist on its own, outside the cinema. Taking cues from the original story of Shinran, the Buddhist monk who promoted a very egalitarian method to spirituality/salvation, so does Yas Kaz transform his knowledge of Japanese…
-
Hiroki Okano’s debut 19871990 is startling in more ways than one. A trailblazing stew of new form Japanese ambient and new age minimal music isn’t something you normally see coming out of Germany’s Innovative Communication label. Also surprising, is that for such a fully formed debut, what we’re hearing is actually a collection of works spanning three…
-
Yoshio Suzuki writes in a way that breaks up my style of writing. You see, I have a ritual I go through when I write for FOND/SOUND. Normally, I put on the album I feel inspired to write about and try to write my post in the allotted time that album runs through. I do so,…
-
In a way, rebirth is exactly what my third mix is about. Taking cues from various feelings springtime evokes, I wanted to compile a set of songs that moved in concert with the season. By themselves, each song has a faint musical seed that germinates and blooms into a much more pronounced, powerful direction. However, taken as part of a whole, despite…
-
Do you know what I love about Mioko Yamaguchi? That no matter what she attempts, she finds a way to actually do it, and do it quite well. That’s why I struggled mightily to chose what is my favorite album of hers to pitch to you, dear reader. Heart of hearts, I’ve made up my mind, and 月姫 Moon-Light…
-
As much as one tries to distance themselves from being just another mp3 blog, one has to realize that one is operating in a gray territory. For as much as I’d love everyone to discover rare albums like Flüght’s Flüght, one from a fascinating Mexican band that debuted with a sound that experimented with ambient, progressive electronica, and new age, not…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic