jazz

  • Tread lightly, oh you who hate slap bass. Jorge Degas and Marcelo Salazar’s positively radiant Muxima has only two roles pushing all songs along: drum and percussion. Apropos they would remix Matisse’s “The Dance” into their own Afro-centered interpretative design. Deep, deep, Brazilian jazz funk that frequently oversteps its boundaries to go into the realm of…

  • madamq

    I hate to say it but Osaka guitar duo Gontiti (pronounced Gon-Chi-Chi) really nailed it when they called themselves the creators of “The Most Comfortable Music On Earth”. You see, I first encountered the music of Gontiti in the most unlikeliest of likeliest places. On some fateful day, I was with my partner at a…

  • The early instrumental work by German guitar duo Martin Kolbe and Ralf Illenberger is quite breathtaking. When one hears of a guitar duo, immediately one assumes the worst: verbose technicality over concise emotion, bluesy runs used as crutches to help them work together, and a general lack of understanding of what a duo is (and…

  • toshifumi hinata story

    I wish I had a great way to describe the beauty of Toshifumi Hinata’s music, more so, the beautiful music you’ll find in Story. I’ll skip over his background, which you can peruse here, in a previous post, so that we can get to the meat of the album. Though not quite as dark/moody as…

  • takami hasegawa L'Ecume Des Jours

    These are the kind of stories that make me smile. Truth be told, there is desperately little story out there to tell of Takami Hasegawa’s sole release L’Ecume Des Jours (a nod to Boris Vian’s novel Froth on the Daydream…). Singer-songwriter Takami Hasegawa from Fukushima decides to release an album of Gallic-style, Les Disques du…

  • 6. FOND_SOUND

    It took two guiding lights to shepherd me through this mix I created for Mexico City’s brilliant Mitamine cultural curation blog. First, I knew the beginning had to start with Lins & Ford’s “Fast Roads” and it’s end had to be with Kyoko Koizumi’s “Eastern Jungle”. They felt like thematic book ends to something bigger. What was…

  • Nina-Maika

    These are the kinds of albums that really live with you. Sao Paolo native, Edson Natale’s name may be the lead on the album cover, his visage may be the one seen folding in the background (with guitar in hand), but its those other small names around him that make Nina Maika such a beautiful…

  • You can always hear music in Steve Hiett’s photography. You can definitely hear the music on the cover of his solo debut, Down On The Road By The Beach. Heavily saturated with color, mesmerizingly flash-lit, and warmly off-center, this image was like an Edgar Degas painting come to life – albeit one fashioned with Miami’s…

  • Lightness, sweetness, and melancholia those are things that define Tom Jobim’s career. You don’t need me to regurgitate a whole Wikipedia page to stress his heralded place in Brazilian music history. Together with João Gilberto, Antonio Carlos Jobim allowed for things like space, quietness, and off-beats to have a place in pop music. Everything we…

  • for a future smile

    Six years after our first introduction to Joan Bibiloni, via his fantastic debut (Joana Lluna), the world had moved under him. For A Future Smile presented Joan Bibiloni in a way unlike anything before. Just a year earlier Joan had been commissioned by a Spanish TV network to create a soundtrack for a nature documentary.…

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