jazz
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Guest Mix by Klas Trollius Editor’s Note: I thought about what FOND/SOUND reader Klas states below: “connected to place-making (by creating a certain atmosphere, specific to the time and place of a recording) and displacement (by transporting you to a mental, perhaps fleeting place in your own mind)” and it made me truly understand his mix, in…
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I’m afraid people might get the wrong impression when they listen to the opening track from Michiko Akao’s Yokobue. What’s there to say about “般若波羅蜜多 – Prajna Paramita”? Manning the iconic transverse flute of Japan, the yokobue, Michiko creates a dark jazz funk piece that somehow manages to mix a vocoder in, in a way…
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Oh, the joys and pains of promoting private press records. First of all, a huge debt of gratitude is extended to one Discogs record collector (mvns) who kindly shared with me this beyond interesting release by Japanese band (or solo act, hard to tell, at times), Milky Way Band. Released in 1989, through infinitely small…
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Guest Mix by Chris J. Morris Editor’s Note: For those who’ve ventured to the FOND/SOUND Facebook group our guest for today’s mix, Chris J. Morris, has been tearing up the board with fascinating share, upon fascinating share, much of it from his personal collection. Showing a deep knowledge of Latin experimentalism, and so much more, I…
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When Yasuaki Shimizu’s Mariah split up their story appeared to end there. Marica’s Jellyfish 海月 proves that Mariah was just a small part of the bigger slice of Japanese Pop music these same members created, that still merits rediscovery. Produced by ex-Mariah members Masanori Sasaji, Jimmy Murakawa, and Morio Watanabe, Jellyfish 海月 finds vocal jazz…
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Simply impressive. What else is there to say about Tsugutoshi Goto’s City Trickles: 街の雫? Most double-LP’s suffer under the weight of their own reach, but the best one’s justify their length due to the sheer scope of that maker’s vision. And boy does Tsugutoshi Goto have one here. From neck-snapping electro, out-there fusion to impressive…
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There’s something special about Haitian zouk music, if you look in the right place. Mushi & Lakansyel’s Koté Ou, much like the cover suggests, is a meditation on the intimate and quite unique musical style of this Caribbean nation. A product of all the touchstone influences that have set foot in Haiti — latin, French,…
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How much are we a product of our past? It’s those thoughts that were floating through pianist Febian Reza Pane’s mind when he created Dreams Of Ganesha. From the first piano note you hear played to the last sustained note your hear ringing, instant memories of the deeply inward “jazz” music of Keith Jarrett start…
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First, a huge thanks to Kyle for sharing this wonderful album with me. Too smooth for a Disco Tehran party he dj’ed, I can understand why he thought its sound might be appreciated elsewhere. From the first moment you put on Ziad Rahbani’s Houdou Nisbi (زياد الرحباني) you feel an instant pull that just floors…
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In a not-so-recent interview with Vice Italy, Lino Capra Vaccina laments that out of his recently reissued work we’re missing most of the picture of what he was trying to do. While Antico Adagio was one of these wonderful totems of Italian minimalism, it wasn’t until a decade, or so, later, in the mega rare…
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