jazz

  • One of my favorite things to see on an album are liner notes listing guitar tunings used within. As a musician myself, I see a certain humility in doing this for others, because in essence you’re exposing some of the magic you had to conjure up for others. I think doing so, I think you’re…

  • For those still clinging on to their last bit of summer, there’s always a bit of it near the Mediterranean. Somewhere near Sanremo, I imagine as this centrally-located American, there’s a perfect day being soundtracked by the music on one Mario Rosini (and in this case) joined by Pino Daniele. Balearic du jour, New Age…

  • And now some jazz… *Quietly watches all my readers’ eyes glaze over*. For those who can appreciate the bigger “jazz” picture, here’s Hiroki Miyano’s D / I/ V /E /R /G /E. Showcasing Hiroki Miyano’s wonderfully elegant guitar playing, D / I/ V /E /R /G /E takes great pains not to rock the boat…

  • Don’t stop, can’t stop, the dance. Something else to fill your expanding Balearic canon: Randy Tico’s Earth Dance. Not quite jazz, world beat, tribal, or New Age, in 1990, in the dead heat of summer, Randy released on the aptly named Higher Octave Music record label a burner of a New Age album that put…

  • This is not entirely the way I wanted to introduce everyone to Akira Inoue but I can’t help myself and share Dolphin. It was September 1990, on one fateful night at the some cafe dubbed Heinecken Village in Harajuku, Tokyo that keyboardist extraordinaire Akira Inoue was joined by ex-members of Aragon, Parachute, and Kazumi Band…

  • As long as there is summer and people still want to hear/read about another Hajime Mizoguchi album, I’ll be more than happy to ride on that feeling. Continuing on a very long retrospective on Hajime’s work, see prior posts for his prior work, today we land on another of his wonderfully summer-esque albums — A…

  • When we last left now Dr. Mitsuru Sawamura, it was 1989 and he had released a wonderful unclassifiable bit of Japanese New Age Jazz on Wacoal’s Newsic label (home of Yoshio Ojima, Motohiko Hamase, and Yoshiaki Ochi). Now, I want us to go back a few years, when he debuted as a solo artist, as…

  • It’s not often you encounter the work of a percussionist who is as wildly as inventive as one can be, yet can be prone to veering off where (he should know better) that none should follow, such is Brian Slawson’s Distant Drums which gets an unequivocal recommendation from me. Mr. Slawson is much like your…

  • Far be it from me to write anything definitive on the work/life of the late, great Brazilian percussionist Naná Vasconcelos, but let me take a stab to write about a sleeper favorite of mine. Naná Vasconcelos’ Rain Dance wasn’t released on any formative label like ECM, or released with any audacious artist like Milton Nascimento,…

  • Let’s do things recursively. Mekong Zoo’s Minimal Dance is exactly as its written — dance music with minimal gestures. Minimal Dance is the unlikely collaboration between two quietly pioneering Japanese female musicians and another intriguing one from England. A hybrid mix of world music, jazz, ambient, neoclassical, and burgeoning techno, it’s piece together all these…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic