jazz
-
f someone’s in touch with the music of the cosmos it’s Kagawan Toshi Tsuchitori. The music I’m sharing from his 1980 release, Breath, gives us a peek at what would set him off on his life-long journey to create music that harkens back to Japan’s prehistoric time. Now known primarily as a percussionist, Breath is the rare…
-
I‘m dipping into that huge well that is Polish Jazz. After listening to “Bialy Garbus” it’s not hard to understand why. Bass-player and hard rock session man extraordinaire, Krzysztof Ścierański takes machines that can bend sonic time and space — the Ibanez HD1000 Delay/Harmonizer and Roland Echo/Chorus— and discovers that there are ways out of Jaco Pastorius-doldrums, into…
-
A promise tendered is a debt owed. I hinted at more music from Music Interior and here’s my first share. Let’s begin our brief sojourn discovering the albums released by Music Interior with Yoshio Suzuki’s meditative Morning Picture. Who was Yoshio Suzuki? On this album he wasn’t quite the musician he was known to be. Three…
-
It’s not often you get a peek at something legitimately different. Released in 1985, on Canadian record label Attic, Sounds from the Interior (The Music Interior Sampler) seems to mimic the iconic New Age Windham Hill Record Samplers of the ’80s. We all know the drill now. Frame a compelling nature scene on a stark white album…
-
In these dark and foreboding times, it’s important to latch on to things that provide hope. Maybe that’s why the music of Poland has seemed so striking to me lately. The vast majority — at least the majority which remains unheard and “out-there” — of this music was the product of unimaginable restraints. Before the rise of Glasnost and Perestroika,…
-
At least for me, some of the most interesting albums are the ones released by artists long after their much more lauded work. I say this, because these deep cuts usually detail a bit more history and show the weather of age a bit more clearly than earlier works. This is my thinking: what happens…
-
There’s smooth jazz, then there’s: Smooth Jazz. Chicago-native, and Art Institute alumnus, John Klemmer, thankfully, belongs to that of the latter kind. In the ’70s, he was primarily known as the go-to sax session man for all sorts of Rock and Pop musicians looking to dip their toes into a jazzy sound. What set John apart from most…
-
Pharoah Sanders 1971 Imagine you’re a neo-folk artist listening to “Astral Traveling” by one of your idols, Pharoah Sanders, back in 1971. Imagine that you’re John Martyn, the young folkie who just created the minor masterpiece Bless the Weather your first foray into a more modern type of English folk music. Although it was popular among folk…
-
David Axelrod – 1969 Where’s my mind right now? Right now its shifting towards more pastoral, and organic music. What does this mean? it means, that its the time of the season when I indulge a bit in my love of folk music. That’s not to say that its entirely just strum and wailing kind…
-
I was going to write a thorough dissection on why Sunday is such an important day. There’s no question why everyone innately views Sunday as a day of devotion, fun, and relaxation. From our birth to our death its a day designated for reflection. But, I think Roy Ayers captures in “Everybody Love’s the Sunshine”…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic