japan

  • I think that just about does it. If you had on your bingo card Toshiyuki Honda to complete the Japanese “saxophonist goes Avant Pop” game, you’re the winner now! Joining the likes of Yasuaki Shimizu, Genji Sawai, and Hiroyasu Yaguchi, comes Toshiyuki’s Saxophone Music, another album redefining what is exactly that: music played by saxophonists.…

  • A leftfield reimagining of vaunted Afro-Cuban jazz classics, in a new school “futuristic” Japanese Pop style, shouldn’t sound so interesting as it does in Today’s Latin Project. Launched on the demise of one famous group (The Tokyo Cuban Boys) and the rise of one important, new musical voice, Yasuaki Shimizu, you’d expect something titled Today’s…

  • Guest post by Giacomo Lee. The first thing that strikes you about Asian Wind is its sleeve. The striking pink and upside-down triangle on the front cover is the handiwork of design group Sign, a Japanese trio who were responsible for, among other things, the cover of Sakamoto’s Thousand Knives LP )back in the tail…

  • My apologies to my less than trusty Google Translation app, but there are only a few things I can describe as legibly belonging in the shared space of Yuki Nakayamate’s Octopussy. Names like Roxy Music, Matia Bazar, August Darnell (as part of Dr. Buzzard’s Original Savannah Band and Kid Creole and the Coconuts), and Grace…

  • Coming in clear, not just a message from Min’yō but one of other beautiful Japanese folk traditions from the Muromachi period and others from deep sōkyoku compositions, albeit transformed via newfound ideas (of newer ages), as played through by the late great clarinetist Koichi Inamoto. To put it simply: Well, what’s the Message From Min-Yō…

  • When we last left now Dr. Mitsuru Sawamura, it was 1989 and he had released a wonderful unclassifiable bit of Japanese New Age Jazz on Wacoal’s Newsic label (home of Yoshio Ojima, Motohiko Hamase, and Yoshiaki Ochi). Now, I want us to go back a few years, when he debuted as a solo artist, as…

  • As winter gives way to springtime, I thought it would be nice to revisit our Japanese post-New Age friends at Everything Play. This time around we’ll travel to their self-titled third release on Mr. Hosono’s Panam label with solo mastermind Sohichiro (or Souichiro, depending on the release) Suzuki being joined by newfound musical partner (ex-Flipper’s…

  • One hasn’t lived until they’ve experienced the force of nature that is Takio Ito’s voice. If you’ve encountered the soul stirring vocal stylings of Nusrat Fateh Ali Khan, Cesária Évora, Jacques Brel, and James Brown, you’ve come close to experiencing the sheer power of Japan’s own “folk” icon. Takio Ito’s TAKIO-ソーラン節 is an undisputed classic…

  • And now for some early magic from notable J-Pop producer and songwriter Keiichi Tomita aka Tomita Lab. Complete Samples by KEDGE, for all intents and purposes, is the work of one mind: Keiichi’s. A superbly fun and surprisingly complex work, it reminds me of some of the best stuff from Japan’s earlier City Pop and…

  • I’m at a loss what to classify the late, great Hideki Mitsumori’s 彩 Colours as. It’s obviously heavily indebted to world music and to all sorts of ethno-music flavors but it’s completely digital with no acoustic instrument in sight. Much like Apsaras, the previous band he led, keyboardist Hideki Mitsumori trades in Japanese New Age…

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