japan

Syun (旬): Landscapes (1994)

2019/11/15

Sometimes certain albums force you to ponder just how the heck that certain something was created. Syun’s Landscapes speaks of using fractal theory to both influence and create a lot of what you’re hearing here. Found on older Amiga, Mac and PC computers, software like VistaPro was responsible for creating virtual landscapes in an early…
Mix: 31. Akira Inoue Special I (Guest Mix by Francis Heaney)

2019/10/25

Today we’re joined by man of good taste and many great shares, one Mr. Francis Heaney, for a guest post sharing his first of two guest mixes giving you a peek into the work of Japan’s visionary musician: Akira Inoue. A titan of ’80s Japanese Pop and underground music as well, it was his wildly…
Mayumi Miyata, Midori Takada: 「星雲」～サウンド・フォレスト・シリーズ (Nebula) (1987)

2019/10/18

If we can thank the heavens for something today, it is for bringing together Mayumi Miyata and Midori Takada. Released as part of CBS/Sony’s short-lived Sound Forest (サウンド・フォレスト・シリーズ) series,「星雲」～サウンド・フォレスト・シリーズ (Nebula) presents a different aesthetic within that series idea of “environmental music”. Not necessarily made to attract electronically-minded listeners, Nebula is a nebulous blend of truly…
Haruo Kubota, Yasuharu Konishi, Tetsutaro Sakurai: The Historic Recordings From The “Girl Girl Girl” Radio Show Volume 3 (1995)

2019/10/04

Guest post by Giacomo Lee. You’d think being in one of the biggest cult Japanese bands of the ’90s would make one of your biggest side projects pretty well known, but Yasuharu Konishi’s Girl Girl Girl must be the exception to that rule.
Interview: Naoki Asai

2019/09/27

Life sure has it mysteries. Years ago, I encountered Naoki Asai’s gorgeous Aba · Heidi and had to share an album I feared would be lost to time. Privately pressed, and featuring an eclectic mixture of Lewis Caroll-like psychedelia and jangly post-punk (think Pale Fountains, The Smiths, etc.), its accompanying haunting design signaled that Aber…
Hiroki Miyano (宮野弘紀): D / I/ V /E /R /G /E (分岐点) (1988)

2019/09/20

And now some jazz… *Quietly watches all my readers’ eyes glaze over*. For those who can appreciate the bigger “jazz” picture, here’s Hiroki Miyano’s D / I/ V /E /R /G /E. Showcasing Hiroki Miyano’s wonderfully elegant guitar playing, D / I/ V /E /R /G /E takes great pains not to rock the boat…
Satoshi Sumitani (住谷智): 思議の森～Forest Marvelously～ (1986)

2019/08/30

We’re back in the thick of it. Divining that perfect balance of nature and melody, Satoshi Sumitani now joins us in this long journey through Japanese environmental music. Part of CBS/Sony’s quite forward-thinking environmental music imprint, Sound Forest, 不思議の森～Forest Marvelously～ (or Fushigi no mori, Mysterious Forest) took ideas that were taking root in Japan’s New…
Various Artists: しおのみち (Shio-No-Michi) (1991)

2019/08/16

Forgive my roundabout way to get back to the healing music of Japan’s Awa record label. I feel like we should go back to Okinawa and discover where it all began. It is on しおのみち (Shio-No-Michi) that Hideaki Masago rounded up like minded Japanese musicians to fashion a label that could tap into ethnic music…
Asiabeat: Spirit Of The People (1991)

2019/08/09

Although the mind behind rotating Southeast Asian supergroup Asiabeat has always been gifted Malaysian percussionist (and Fulbright Scholar) Lewis Pragasam, on Spirit Of The People, the heart of Japan moved him towards a sound that’s quite indefinable. Decamping in Singapore, in 1991, Lewis was joined by Makoto Matsushita, Chito Kawachi, and friends Mohd Nor, Nantha…
Hiroya Minakuchi + Missing Link (水口博也): Dolphin (1993)

2019/08/02

There’s a moment in Hiroya Minakuchi + Missing Link’s Dolphin that never ceases to take my breath away: a minute into “The Cradle Of The Ocean”, the sound of actual dolphin speech mingles with a plaintive piano melody to deliver a sublime aquatic ballad that exudes what I think is perfect example of “womb music”.…