japan

  • Let’s have a talk about cancel culture. I refuse to endorse any images that will promote racism of any kind. We punch up, not down, here. It’s for that reason I have to confront legitimately racist works, like the comics and anime behind Open Sesame’s! Chocolate Panic, with some modicum of introspection. Although the music…

  • Certain albums just sound special from the get-go. When I put on Ayuo Takahashi’s Nova Carmina instantly I hear something that takes me back. It’s something quite simple: Ayuo’s violin playing streaks of glissando over something he wrote for Aideen Morgan. It’s poetry speaks of a rebirth of sorts, of its narrator finding in the…

  • Some of my favorite artists are those that fluctuate along the same wavelength as yours truly. One of these is the incomparable Ayuo Takahashi. Never moored by any specific idea, his vision is expansive — all is fair game in his musical world. From English folk to mystic Persian devotionals, to electro and mutant funk,…

  • And now some jazz… up next on my ongoing quest to lose half my audience: Yoshio Ohtomo Quartet’s As A Child. I kid, of course. Classifying this under jazz is like classifying Dylan’s latest masterpiece “Murder Most Foul” as rock ‘n’ roll or the multi-layered yeoman tomes of the late John Prine as folk. It’s…

  • Let’s take what we can from the late Toshiya Sukegawa’s Bioçic Music – Astrology. Another album in the little understood (or heard) environmental music genre, this album tries to add its own notch to a new totem other composers experimented with in Japan around this period. Graceful, meditative, and quite quiet it was meant to…

  • Sometimes, I feel like I may lead you even further down rabbit holes I’ve fallen into. Case in point: Dream Dolphin’s Atmospheric Healing. Released in 1996, on Harry Hosono’s FOA Records label, Atmospheric Healing began to stretch the label’s original concept of releasing “folk-oriented art” music into something they’d dub the “force of ambient”. Impossible…

  • Next, in my continuing series of the redemptive power of house music, I take a look at EPO’s Fire & Snow. I’m half-joking, of course. However, EPO’s Fire & Snow is one of those hidden full album burners that sounds like an anomaly in someone’s discography but has that sound made for them. We had…

  • For those that don’t believe we can there’s a way to engage with the outside world while stuck inside one’s inner space, Awa Muse‘s second compilation: しおのみち ニの巻 (Shio-No-Michi) Vol.2 proves there are other ways to meet it there.

  • FAD: FAD! (1981)

    First things first: Please go to Noka’s Youtube channel and hit “subscribe” to thank them for sharing this first. None other than sharing other fascinating nuggets of Japanese indie rock, punk, and techno, he made me make a snap decision. In light of all that’s going around us, rather than share another bit of (perhaps)…

  • Truth be told: I really had trouble deciding to share this album with you, fair reader. One of my many goals for this blog is to move away from the well-worn stereotype/trope of the “female musician”. However, staring right in front of me (and you now) is exactly what one associates  that being by pigheaded…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic