fusion

  • Guest Mix by Chris J. Morris Editor’s Note: For those who’ve ventured to the FOND/SOUND Facebook group our guest for today’s mix, Chris J. Morris, has been tearing up the board with fascinating share, upon fascinating share, much of it from his personal collection. Showing a deep knowledge of Latin experimentalism, and so much more, I…

  • When Yasuaki Shimizu’s Mariah split up their story appeared to end there. Marica’s Jellyfish 海月 proves that Mariah was just a small part of the bigger slice of Japanese Pop music these same members created, that still merits rediscovery. Produced by ex-Mariah members Masanori Sasaji, Jimmy Murakawa, and Morio Watanabe, Jellyfish 海月 finds vocal jazz…

  • Simply impressive. What else is there to say about Tsugutoshi Goto’s City Trickles: 街の雫? Most double-LP’s suffer under the weight of their own reach, but the best one’s justify their length due to the sheer scope of that maker’s vision. And boy does Tsugutoshi Goto have one here. From neck-snapping electro, out-there fusion to impressive…

  • There’s something special about Haitian zouk music, if you look in the right place. Mushi & Lakansyel’s Koté Ou, much like the cover suggests, is a meditation on the intimate and quite unique musical style of this Caribbean nation. A product of all the touchstone influences that have set foot in Haiti — latin, French,…

  • Let’s unwind for a moment. When I haven’t been busy occupying my days with writing, my mind and body has literally been going to the beach to unwind. Somehow, I’ve lucked out and am living the coastal lifestyle (without actually living on any sea coast). While I would say it takes a change of mind…

  • How much are we a product of our past? It’s those thoughts that were floating through pianist Febian Reza Pane’s mind when he created Dreams Of Ganesha. From the first piano note you hear played to the last sustained note your hear ringing, instant memories of the deeply inward “jazz” music of Keith Jarrett start…

  • First, a huge thanks to Kyle for sharing this wonderful album with me. Too smooth for a Disco Tehran party he dj’ed, I can understand why he thought its sound might be appreciated elsewhere. From the first moment you put on Ziad Rahbani’s Houdou Nisbi (زياد الرحباني) you feel an instant pull that just floors…

  • The Green Chinese Table

    This one is a bit special. Last we heard from Seigen, he was introducing us to his very jazz-influenced take on Japanese New Age music. On the follow up to that epic debut, The Green Chinese Table, we find Seigen dividing his time up between recording sessions in Tokyo and New York City. It’s impossible…

  • Seems like the perfect time to sneak this one through ye olde FOND/SOUND blog. Led by Makoto Matsushita, proud creator of one of City Pop’s timeless gems (First Light), and Chris Mosdell, proud creator of this totally slept on “Japanese” techno-pop gem, comes this decidedly different collaboration called Paradigm Shift. Like its namesake, it actually does…

  • Let’s take a step back. Let’s take a breather and rediscover the music of Hajime Mizoguchi. Romantic, sunny, and surprisingly graceful, Halfinch Dessert notched another special rung on Japan’s wonderful New Age music from that era. In 1985, it was that debut, that gave us a taste of the string-laden, pining sound Hajime was inkling…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic