fourth world
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When autumn comes rolling in, I always welcome a fresh wind that shifts my focus elsewhere, towards music with a more folkloric bent. And for some reason, I’m always surprised to be unsurprised by how much there is to harvest from the Irish or Gaelic diaspora. As leaves start to turn and a certain seasonal…
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It’s late summer again. Like before, I’m drawn to music that evokes feelings found at the corners of each such season. And in today’s case, it’s that pull of the sea (or a life aquatic) that reminds us that life keeps moving, as much as we keep exiting, stage left. It’s something you hear in…
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Some artists make whole careers out of reinventing themselves. The best ones, you name it from the late David Bowie, to Joni Mitchell or Tom Waits, always leave you guessing just what they’re going to do next. The ones that try too hard, which shall remain nameless, always leave you wondering why they just can’t…
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Find your space in the pocket. If ever there was a phrase that I’ve been trying to hammer home lately, on the blog, it’s that. It’s about exploring the work of musicians who moved things around, found ways to pick at frayed threads and bind them together, to build their own work. China’s Säju is…
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Many moons ago, someone interviewed me and asked me (to paraphrase them), “What makes you pick what you share on the site?”Now, if I remember correctly, I think I answered: “most of the time, it’s great music tied to a great story.” It’s with this in mind that today let’s do things a little differently.…
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Timing. Isn’t that what life’s all about? If you’re there at the right moment, it all works out. If you’re there late, you’re at someone else’s fate. If you’re there too early, all that effort might not be for naught. If you’re speaking about Japan’s Kusu Kusu (and their album, 世界が一番幸せな日 (Sekai Ga Ichiban Shiawase…
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There is no harder thing for a music reviewer to do than categorize music that’s, quite simply, uncategorizable. Especially so when it’s trying to pigeonhole or describe Chito Kawachi’s jaw-droppingly, unclassifiable 1993 debut, チトチック/クラクラ (CHITOTIHC/KULA-kura).
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Sometimes there isn’t any time better than the right time to share something. And in my case, it’s now or never, for East Pulse’s Asian Mirage, a fascinating curio or one-shot release by Japanese jazz flutist Toshiaki Yokota and multi-instrumentalist extraordinaire Chito Kawachi, who we’ll get around to later.
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You know, sometimes the hardest part is making a decision. And in my case, it’s selecting the crown jewel amongst so many diamonds. But the choice has been made. The choice is Toshinobu Kubota’s absolutely personal heartfelt ode to the Caribbean and its diaspora: Kubojah – Parallel World I.
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“I was born to sing” – so graces the words of Teresa Carpio, to the Japanese-version of her powerful pan-Asian debut, 心己许 (Tokyo Dreaming). And after listening to the record, who am I to disagree? Much like her voice, it was this record that finally expressed fully the range of her voice and her ideas.
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic