fourth world
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There is no harder thing for a music reviewer to do than categorize music that’s, quite simply, uncategorizable. Especially so when it’s trying to pigeonhole or describe Chito Kawachi’s jaw-droppingly, unclassifiable 1993 debut, チトチック/クラクラ (CHITOTIHC/KULA-kura).
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Sometimes there isn’t any time better than the right time to share something. And in my case, it’s now or never, for East Pulse’s Asian Mirage, a fascinating curio or one-shot release by Japanese jazz flutist Toshiaki Yokota and multi-instrumentalist extraordinaire Chito Kawachi, who we’ll get around to later.
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You know, sometimes the hardest part is making a decision. And in my case, it’s selecting the crown jewel amongst so many diamonds. But the choice has been made. The choice is Toshinobu Kubota’s absolutely personal heartfelt ode to the Caribbean and its diaspora: Kubojah – Parallel World I.
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“I was born to sing” – so graces the words of Teresa Carpio, to the Japanese-version of her powerful pan-Asian debut, 心己许 (Tokyo Dreaming). And after listening to the record, who am I to disagree? Much like her voice, it was this record that finally expressed fully the range of her voice and her ideas.
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Sometimes, I think we’re all in need of some kind of palette cleanser. At the cusp of summer, the urge is to find more in-between season music. It’s with this in mind, that I’m breaking one of my cardinal rules for this blog and choosing to cover music closer to our station in life. It’s…
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You know, sometimes you’ve got to step back and realize that there’s only so much thread to pull at. It’s not ideal, but it’s something I keep reminding myself of when I have to write about (or share an album) much like Sha’aban Yahya’s Return To Jogja.
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You know, there’s something strangely meditative about filling out a Discogs credit list. I find it so, because you feel like you contributed to artists getting their proper accreditation and also you getting a fuller picture of how something got made. So, when I finished populating Maria Kawamura’s 「春の夢」 – サンクタス – (or Spring Dream…
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The more I listen to Yang Xiao-lin’s 禧樂 (I Take You There), the more I’m impressed by how malleable folklore is. In the original liner notes, the words “elegant, pure, psychedelic, lively, remote and modern” are thrown as adjectives to describe this album. Myself, at first, I thought each word seemed to contradict the other…but…
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When I went about curating my latest mix for LYL Radio, a phrase kept guiding me forward: “atmosphere as culture”. If any of you are like me, I imagine one of your passions might be exploring how much music can drive culture and vice versa. Some of that urge to simply “dig deeper” might lead…
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It’s not often you recognize “genius” straight away, yet it’s not often you get to hear such precocious brilliance of the likes seen in Yukiyo Nakamura. From her debut in 1989 to her latest work, what could have turned out as a different kind of musician, blossomed into their own kind by finding her true…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic