fourth world

Simon Stockhausen: Floating Free (1992)

2020/03/10

Can you feel it? It seems like we’re getting there. Not quite Spring but really not winter anymore. This is the time of the year where we’re in between seasons. This is the time of the year when Simon Stockhausen’s Floating Free makes the most sense to share. Hovering around the meditative, rhythmic minimalism of…
Michel Alibo: Kintetik (1991)

2020/03/03

Going back into the well of zouk music. It’s not often I tap into it because I’d be afraid to turn this whole blog into a zouk-only thing…and who knows who’d be into that? Especially, around this time of the year. However, as long as I have your interest in “bass” music piqued — let’s…
Esther Ofarim, Eberhard Schoener, Wolf Wondratschek, Ulf Miehe: Complicated Ladies (1982)

2020/02/11

Truth be told, few records in my collection sound like Esther Ofarim’s Complicated Ladies. Well, truth be told, few albums will ever sound like it either…in anyone’s collection. A mixture of Israeli melismatic jazz with German liedermacher wouldn’t sound too out of the ordinary (at least in some circles). However, let’s say someone decided to…
Terese De Sio: Sindarella Suite (1988)

2020/01/14

There’s something I really admire about Naples’ own Teresa De Sio’s way of thinking. When I went around digging through interviews to find a little more about the backstory for 1988’s Sinderalla Suite, I encountered Teresa’s fuller story. In it, Teresa painted a much bigger picture than I was expecting.
Masatsugu Shinozaki (篠崎正嗣): A Roar Of The Tiger (1992)

2019/12/20

Winter heat from an unlikely source. Perhaps I’m showing my bias as a violinist, but I have to share another of my favorite (sadly unknown) releases from my fellow brethren. Another wonderful cross-thatched affair of fourth world and new age grooves not from the west but this time from Japan’s other uber-talented, and quite prolific,…
Steve Kindler: Automatic Writing (1985)

2019/12/18

Let’s do things in reverse. Let’s revisit the work of violinist Steve Kindler. Perhaps better known for his work with John McLaughlin and Jan Hammer, one would be surprised to discover how much more sweeping and romantic his solo work was. And it doesn’t get much more “sweeping and romantic” than his, sadly, nearly impossible…
Carla Bley (with Steve Swallow): Night-glo (1985)

2019/12/11

I’ll be completely honest. Lately, it’s been getting harder to carve out time to write for this blog. After a long moment in time, I’ve finally found a degree of it to do other things that vie just as much for my attention. Yet, I still feel the need to share things with you. Maybe…
Mix: 35. Japanese Healing Music

2019/12/06

Certain things aren’t lost on me. Whenever I look at my time slot at LYL Radio I feel a sense of responsibility. Each month on Wednesday, I end their programming day. For some, it’s 11 PM Paris time. While for others (like myself) it’s 4 PM Central Standard time. While one part of the world…
Lucio Battisti: Anima Latina (1974)

2019/11/26

Albums as unique as Lucio Battisti’s Anima Latina are rarely the product of one person’s/band single vision. It’s easy to forget how little by little Lucio was baiting his audience — mostly Italian and rarely big outside of mainland Europe — into letting him explore places his own influences had gone before. He did all…
Kip Hanrahan: Days And Nights Of Blue Luck Inverted (1987)

2019/11/19

American Clavé. What a name. Kip Hanrahan is one of those musicians that deserves, mightily, to be a large household name, but for reasons unbeknownst to me, never quite could break that final barrier. No matter how perfect his blend of outsider jazz and instantly “getable” ideas were. We’re worse off as a music culture…