experimental

Pictures: Pictures (1983)

2017/11/03

I’m still floored that such an album like Pictures exists and that it exists in such an arrested state of discovery. In 1983, Andy Stennett and John Rocca, of influential British electro-funk group Freeez, decide to hide away from their record label and sure chart-topping success (courtesy of their infamous/ubiquitous hits, “Southern Freeez” and “IOU”)…
Tuca: Dracula, I Love You (1974)

2017/10/31

Periodically, I like to dive into my old “A Track, A Day” blog archives for music I’ve written about before but I feel still hasn’t gotten its fair shake. What better time than Halloween to revisit Tuca’s (real name Valeniza Zagni da Silva) curious masterpiece: Dracula, I Love You? Curious because it’s unlike much released at…
Edson Natale: Nina Maika (1990)

2017/09/29

These are the kinds of albums that really live with you. Sao Paolo native, Edson Natale’s name may be the lead on the album cover, his visage may be the one seen folding in the background (with guitar in hand), but its those other small names around him that make Nina Maika such a beautiful…
Mitar Subotić, Goran Vejvoda: The Dreambird (1986)

2017/09/27

Some music you discover, and some simply grabs you instantly. For me, the music of Suba, the brilliant Serbian musician Mitar Subotić, is one of them. The line between atmospheric, ambient, New Age, and environmental music is so thin, that to render one type of music, a certain something misses the whole point. With Mitar…
Steve Hiett: Down On The Road By The Beach (1983)

2017/09/22

You can always hear music in Steve Hiett’s photography. You can definitely hear the music on the cover of his solo debut, Down On The Road By The Beach. Heavily saturated with color, mesmerizingly flash-lit, and warmly off-center, this image was like an Edgar Degas painting come to life – albeit one fashioned with Miami’s…
Tom Jobim: Matita Perê (1973)

2017/09/20

Lightness, sweetness, and melancholia those are things that define Tom Jobim’s career. You don’t need me to regurgitate a whole Wikipedia page to stress his heralded place in Brazilian music history. Together with João Gilberto, Antonio Carlos Jobim allowed for things like space, quietness, and off-beats to have a place in pop music. Everything we…
Almir Sater: Instrumental (1988)

2017/09/13

Something so simple as an album of 10-string viola caipira instrumentals shouldn’t sound so impressive, but leave it to Campo Grande native Almir Sater to make you rethink a whole lot of something. This release, Instrumental, was more than just a musical document of some brief musical sojourn, it was a massive peek into the…
Chris Mosdell: Equasian (1982)

2017/09/08

Simply phenomenal. That’s a great word to describe Chris Modell’s debut: Equasian. Phenomenally hard to describe. It’s an album released exclusively in Japan by an American artist who got his start translating Japanese lyrics into English for them, and used that entry way to get repaid back, by said Japanese artists, by allowing them to…
David Mingyue Liang: Dialogue With The Ocean (1986)

2017/09/06

Dr. David Mingyue Liang’s Dialogue With The Ocean merges deep ethnomusicologist study with floating, electronic minimalism for a watery kind of meditative ambient music. With one foot deep in Chinese folk music and another in modern experimental composition, David Mingyue Liang creates something that sounds less like the “Chinese Meditation Music” envisioned by his Tao…
Water Melon Group: Cool Music (1984)

2017/08/30

It almost seems like I really shouldn’t have to write that much about the Water Melon Group. If you don’t know the two main players of this group, the late Toshio Nakanishi and Yann Tomita, now would be a great time to go back into the FOND/SOUND vault and dig up my entries on their…