experimental
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When Yasuaki Shimizu’s Mariah split up their story appeared to end there. Marica’s Jellyfish 海月 proves that Mariah was just a small part of the bigger slice of Japanese Pop music these same members created, that still merits rediscovery. Produced by ex-Mariah members Masanori Sasaji, Jimmy Murakawa, and Morio Watanabe, Jellyfish 海月 finds vocal jazz…
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Those drums! Slagerij Van Kampen’s A Long Walk On A Short Pier is a must have for those who appreciate purely percussive music. A brilliant mish mash of all sorts of “tribal” music, Slagerij Van Kampen’s A Long Walk On A Short Pier takes you out of their Dutch roots and transports you to the…
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One of my favorite instrumental albums needs a bit of backstory. First of all, Satsuki Shibano’s Rendez-vous is not entirely a work of hers. Be that as it may, it’s entirely her own vision you see rework French neo-impressionist composer Pascal Comelade’s prior oeuvre into something far more intriguing. Joined by Yoshio Ojima, and released…
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How many second acts can one artist get? Franco Battiato might already be in his 10th or more. At the time of this release, 1995, Franco was a 50 year old man — keep that in mind. Unworried by what was out there, unhurried to prove anything, Franco Battiato (once again) came out of nowhere…
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Masahiro Sugaya has always been an interesting composer. Based in Tokyo, it’s been his music that’s soundtracked dance theater group Pappa TARAHUMARA’s most known works. Masahiro’s music draws from a mix of minimal, ambient, world, and Japanese traditional styles. So, no one album or song can perfectly distill how varied (in mood and sound) each…
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In a not-so-recent interview with Vice Italy, Lino Capra Vaccina laments that out of his recently reissued work we’re missing most of the picture of what he was trying to do. While Antico Adagio was one of these wonderful totems of Italian minimalism, it wasn’t until a decade, or so, later, in the mega rare…
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It would be easy to supplant whatever I stated in my post for Nuno Canavarro’s Plux Quba and simply transport it here. If we include Roberto Musci & Giovanni Venosta’s Water Messages On Desert Sand, as another trafficking in that gorgeous unplaceable thing — then we can think of it as another forgotten reimagining of…
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And now, joining Genji Sawai in the next round of jazz not jazz, is the immensely talented drummer Hideo Yamaki. In essence, Hideo Yamaki’s Shadow Run, released in 1993, covers similar creative territory. However, the output here remains vastly different, even if some of the same cohorts help Hideo flesh out his own vision. Produced…
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What a shining moment. It took Mecano two albums to properly shake off being also-rans, to truly get to what made (or would make) them special. Mecano’s Ya Viene El Sol is an electro-pop album but it’s also one slippery enough to fit many other styles and genres, yet still come off as theirs. Outside…
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Romie Singh’s Masters is more than just one killer 12” dub plate surrounded by lord knows what. Masters is a wonderful reminder of the bit of delightful weirdness that Romie was able to capture in a bottle, some months in Hamburg, in 1986. Masters was an early collection of proto-future Pop from someone who managed…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic