experimental
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Illustration by Laura Gomez I usually don’t gravitate towards writing about something I didn’t include in a mix but I just have to make an exception this time, with the final volume of the Japanese New Age and Ambient series I created for NTS. Satoshi Sumitani’s “金の星と銀の星” (Kin No Hoshi To Gin No Hoshi) from 不思議の森～Forest…
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That intersection between organic and inorganic has been something I’ve been chewing on lately. What makes something one or the other? I’d argue that something as simple as the introduction of sampler instruments revolutionized the way we can make that argument immaterial.
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“Endlessly moving, always alive” no better words can describe this album than Windsor Riley’s own. There’s no way around it, The Move Of Life sounds lame on paper. A late ‘80s release, on another nameless record label, trying to peddle harmless instrumental music that would be at home on the Weather Channel or your local dentist…
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I’m afraid people might get the wrong impression when they listen to the opening track from Michiko Akao’s Yokobue. What’s there to say about “般若波羅蜜多 – Prajna Paramita”? Manning the iconic transverse flute of Japan, the yokobue, Michiko creates a dark jazz funk piece that somehow manages to mix a vocoder in, in a way…
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Trying to revisit something I wrote about and remember quite vividly, at the time I wrote it, presents two opportunities: the first is to reassess why and how I got into that piece of music. The second opportunity presented by revisiting the past, is whether time has added a fresher perspective since then. When Sifted…
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Oh, the joys and pains of promoting private press records. First of all, a huge debt of gratitude is extended to one Discogs record collector (mvns) who kindly shared with me this beyond interesting release by Japanese band (or solo act, hard to tell, at times), Milky Way Band. Released in 1989, through infinitely small…
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An album that was born to be loved but remains surprisingly unfound, is the worst kind of album to introduce a band through. Belgian band Jo Lemaire + Flouze’s Pigmy World sounds unlike anything else in their discography but remains a stunning example of what happens when you reinvent your sound in a way few…
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Certain albums linger in your mind for certain reasons. Tôsha Suihô’s 四季の笛 (Die Vier Jahreszeiten In Kyoto) or Four Seasons In Kyoto is one that I can never forget. The premise for its creation was simple: master flautist Tôsha Suihô travels to various sites in Kyoto and records himself performing within the environment he’s in. What happens, though, is…
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Guest Mix by Chris J. Morris Editor’s Note: For those who’ve ventured to the FOND/SOUND Facebook group our guest for today’s mix, Chris J. Morris, has been tearing up the board with fascinating share, upon fascinating share, much of it from his personal collection. Showing a deep knowledge of Latin experimentalism, and so much more, I…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic