electro-acoustic

Magical Power Mako: mAgicAl compUteR MusiC (1985)

2018/03/02

Am I allowed to punt on this one? Literally, it’s all there — right on the album cover. Magical computer music by Magical Power Mako. I’ll never top this description. Just one look at the album cover puts you there — a smoldering Makoto Kurita surrounded by a shoji panel, two TVs playing VHS tapes, two…
Alquimia: “Coatlicue” Goddess Of The Earth (1992)

2018/02/27

In pre-Hispanic times, the name of Coatlicue was on the tip of every mouth found, in the sprawling Aztec empire located in present-day, central Mexico. Coatlicue, the given Nahuatl name for the “mother of all gods”, was the earth goddess with a skirt of many snakes, adorned with human hearts, skulls, and hands. It was she whose…
Genji Sawai: Sowaka (1984)

2018/02/23

Is it Jazz? How many times can one ask that question. What exactly constitutes Jazz? Genji Sawai’s Sowaka stretches this idea limit. Myself, I think it’s exactly what Jazz should be: dangerous, provoking, and exploratory. A fusion of Japanese free-jazz with New York noise-punk shouldn’t work, then, yet again, who could ask for more? On…
Mick Karn: Titles (1982)

2018/02/20

It’s hard for me to separate Mick’s past from the work you’ll hear in Titles. Still impossibly underrated and unaccounted for — compared to the actual influence he put in motion — there is just something truly unique found in the late Mick Karn’s bass technique, musicality, and ideas. Titles, his first solo work after leaving Japan,…
Oscilation Circuit: Série Réflexion 1 (1984)

2018/02/16

Here’s another worthy album for the canon of Japanese minimalism, Oscilation Circuit’s Série Réflexion 1. Released in 1984, by Sound Process, ostensibly a new part or truncation of Satoshi Ashikawa’s “Wave Notation” series, Série Réflexion 1 perfectly presents another facet of the label’s promotion of minimal music. This time around we get a feel of livelier stuff than any of…
Grupo Zambo: Bahia, Grupo Zambo (1976)

2018/02/13

A mix of white and black. A mix of religion and spirituality. A mix of cultures, class, and race. Brazilian Bahian musical group Grupo Zambo does its best to look beyond miscegenation, to really get to the root of Brazilian musical folklore and experimentation. Bahia, Grupo Zambo, quite rightfully, holds a mystical memory to anyone…
Various Artists: Demo Tape 1 (1986)

2018/02/09

Who can argue that an apple falls far from its tree after listening to Demo Tape 1? Demo Tape 1 was a compilation of music curated by Ryuichi Sakamoto and Akito Yano for their Midi Inc. label. The premise was simple: ask anyone who tuned in to Ryuichi’s ongoing NHK radio program “Sound Street” to send a…
Gabriela: Altas Planicies (1991)

2018/02/06

Gabriela Marrone’s Altas Planicies is the very quiet work of a true pioneer. Born of rural, Argentinian descent, but cosmopolitan via adolescent growth, Gabriela took what could have been a forgettable life as a diplomat’s daughter and used it as a way to develop personally into the inspirational force she came to be.
Jorge Degas & Marcelo Salazar: Muxima (1987)

2018/01/30

Tread lightly, oh you who hate slap bass. Jorge Degas and Marcelo Salazar’s positively radiant Muxima has only two roles pushing all songs along: drum and percussion. Apropos they would remix Matisse’s “The Dance” into their own Afro-centered interpretative design. Deep, deep, Brazilian jazz funk that frequently oversteps its boundaries to go into the realm of…
Yoko Ueno: Voices (1993)

2018/01/26

What a perfect image. Even William Blake must be blushing at Masumi Hara’s otherworldly portrait for Yoko Ueno’s Voices. Feminine angels (bearing more than just their souls), perfectly trapezing on man-made wires, as ever darkening skies, grow ever more, endlessly, on some barren land. Mystical and philosophical, through one image Yoko Ueno’s Voices had its…