balearic
-
If there’s one thing that I find worthwhile about sharing music with y’all, it’s that it forces me to push myself to stick my neck out. It moves me to dig a little deeper and get a fuller picture for y’all to experience. And in today’s case, it puts me in a position to do…
-
How does one describe Ken Muramatsu’s music? If I can compare it to anything, it’s to enjoying an apéritif on a hot summer day. Filed under the “ambient”, “jazz”, or “New Age” banner, it’s his music that never completely traffics in any of those spaces. It’s deeper, much easier, listening. Like a good Alvarinho or…
-
If you’re like me, sometimes all it takes is one listen to feel that a certain album or artist should have made a bigger mark. When I listen to Yow Okazaki’s Damage, with its fusion of hip-hop, techno, ambient and French Pop-influenced acid jazz, I think: now here’s music that merits a certain introduction.
-
There’s a fine line between background music and background music. It’s something that’s easier to hear than explain. And one way to do so, is to introduce you to the melodious environmental music of Kyoji Ohno and specifically, his, Kutsurogi (サイコジェネシス・シリーズ くつろぎ) .
-
I gotta say: some of my favorite albums are those “imperfect” ones. Although they may not contain a complete record full of highlights, all is forgiven, because of those that do exist in one album. It’s those albums like the late, great, Richenel’s Deep As Blue.
-
If you can, allow me one more diversion for the year. In my last post, I finally found words to describe what was my album of the year for 2022. Now I’m cycling back to an album that truly lingered in my headspace just as long this past year, 2023. It’s an album marked by…
-
As a writer, I try to remain as objective as possible and not inject too much of myself into what I review. Yet, as we all know, it’s impossible to completely divorce yourself from a reality: music hits differently. How any piece of music affects you has to be informed by the contours that shape…
-
As I write this post, my mind goes back to the ideas posited in Claire Dederer’s new book, “Monsters: A Fan’s Dilemma”. I keep thinking: to what degree do I promote or endorse the work of Miguel Bosé? At this moment in time, I can’t escape that I vehemently disagree with his most current views…
-
We all have our soft spots. Lately, for me, it’s been sharing certain kinds of “rainy day” albums tailor-made to appeal to the more mature audience. Less fussy with sonics, less messy with pretentiousness, these are the kinds of albums that I’d like to think others would find as graceful, sophisticated, and measured as I…
-
As the child of first-generation immigrants, I imagine, many of y’all have had a similar relationship with your parents’ culture as I’ve had with mine. It’s that of initially looking at anything that came out of it – its music, its film or television, its arts or cuisine – with suspicion and (worse) seeing it…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic