balearic

Mix: 37. L’Oro Del Mondo

2020/02/14

If it seems like this is becoming a yearly tradition here, who knows? It might be. Yes, it’s another mix of some of my favorite love songs for Valentine’s Day. If you know anything about me is that I’m a big softie at heart. And part and parcel with this comes my sincere (no pun…
Doug Smith: Order Of Magnitude (1990)

2020/01/21

Time for another palette cleanser. You already know mine: folk music. Doug Smith’s Order Of Magnitude is more of that same vein. However, it’s a bit of its own tributary. Here, largely acoustic guitar of the American Primitive style, get’s us one step closer to what a larger, universal other expects of “their” type of…
Andy Davis: Clevedon Pier (1989)

2020/01/07

The changing of decades always seem to introduce truly amazing albums that fall through the cracks. Be it because they are caught in between eras. Be it because they’re simply made outside of any prevailing trend. These albums, unfortunately, reveal their true brilliance (sometimes) only in hindsight. Recently, I’ve had that aha! moment with Clevedon…
Carla Bley (with Steve Swallow): Night-glo (1985)

2019/12/11

I’ll be completely honest. Lately, it’s been getting harder to carve out time to write for this blog. After a long moment in time, I’ve finally found a degree of it to do other things that vie just as much for my attention. Yet, I still feel the need to share things with you. Maybe…
David Friesen: Inner Voices (1987)

2019/10/15

Here’s hoping this writeup lasts not much longer than David Friesen’s meditative Inner Voices. What exactly was David Friesen’s Inner Voices? Much like Eberhard Weber in Europe, in America, David was that kind of quicksilver, enigmatic, bass player that played on countless “jazz” records spanning from bebop, free jazz, modal, and other chin scratching, heady…
Mix: 30. Moods For Digital Gardening (Guest Mix By Paradise Is A Frequency)

2019/10/11

Mix Cover by Huiqian Wu For the longest, I’ve badgered a record label based out of St. Louis, Missouri — Paradise Is A Frequency — to share a mix of theirs on my radio show. For me, it all started with them reaching out years ago, sending out a digital handshake into the void saying…
Dagobert Böhm: Acoustic Moods (1987)

2019/10/01

One of my favorite things to see on an album are liner notes listing guitar tunings used within. As a musician myself, I see a certain humility in doing this for others, because in essence you’re exposing some of the magic you had to conjure up for others. I think doing so, I think you’re…
Mario Rosini: Mediterraneo Centrale (1992)

2019/09/24

For those still clinging on to their last bit of summer, there’s always a bit of it near the Mediterranean. Somewhere near Sanremo, I imagine as this centrally-located American, there’s a perfect day being soundtracked by the music on one Mario Rosini (and in this case) joined by Pino Daniele. Balearic du jour, New Age…
Hiroki Miyano (宮野弘紀): D / I/ V /E /R /G /E (分岐点) (1988)

2019/09/20

And now some jazz… *Quietly watches all my readers’ eyes glaze over*. For those who can appreciate the bigger “jazz” picture, here’s Hiroki Miyano’s D / I/ V /E /R /G /E. Showcasing Hiroki Miyano’s wonderfully elegant guitar playing, D / I/ V /E /R /G /E takes great pains not to rock the boat…
Zoé: Zoé (1987)

2019/08/23

Truly no one is a prophet in their own land. Simply scroll down and look at the all Japanese superstars of boogie, funk, AOR and all other sorts of genres backing up British-born singer Loretta “Zoé” Heywood. Members of Mariah, the elite boogie duo of Yuji Toriyama and Ken Morimura, shall I continue? Mr. Logic…