art rock

  • Let’s have a talk about cancel culture. I refuse to endorse any images that will promote racism of any kind. We punch up, not down, here. It’s for that reason I have to confront legitimately racist works, like the comics and anime behind Open Sesame’s! Chocolate Panic, with some modicum of introspection. Although the music…

  • Certain albums just sound special from the get-go. When I put on Ayuo Takahashi’s Nova Carmina instantly I hear something that takes me back. It’s something quite simple: Ayuo’s violin playing streaks of glissando over something he wrote for Aideen Morgan. It’s poetry speaks of a rebirth of sorts, of its narrator finding in the…

  • Now, where did we leave off? Still holding on to bits of uncertainty, it seems. And like most of our far away islands, the most distant are the ones of our creation. Then, if all of that’s the case, in 1985, Björn seemed to be pretty much on his own trip. That’s where we pick…

  • Some of my favorite artists are those that fluctuate along the same wavelength as yours truly. One of these is the incomparable Ayuo Takahashi. Never moored by any specific idea, his vision is expansive — all is fair game in his musical world. From English folk to mystic Persian devotionals, to electro and mutant funk,…

  • What happens if you mix the Everly Brothers and Kraftwerk? The answer you’re supposed to hear should be: Adolphson-Falk’s Med Rymden I Blodet. However, I don’t think it quite is. Taking inspiration from both those iconic bands yet doing something decidedly different, is what led me to write about one of Sweden’s least heralded pop…

  • Truth be told, few records in my collection sound like Esther Ofarim’s Complicated Ladies. Well, truth be told, few albums will ever sound like it either…in anyone’s collection. A mixture of Israeli melismatic jazz with German liedermacher wouldn’t sound too out of the ordinary (at least in some circles). However, let’s say someone decided to…

  • Don’t you just love it when everything comes together? Kenji Sawada must have taken forever to match up his forward-thinking persona with his stagecraft and music, but on Aux Femmes 女たちよ) it all fell into place. Toying with gender, electronics, and all sorts of compositional elements, Aux Femmes 女たちよ proved he just wasn’t some emptyheaded…

  • Was the world ever ready for Thomas Leer? Listening back to Thomas’s The Scale Of Ten one can hear all the potential there. It’s this theme of tweaking a recipe. Here it was to make his once abrasive, experimental blue-eyed soul into a chromed-out beast, outfitted in Fairlight CMI clothing, permeating with giant-sized hooks. In…

  • Guest post by Giacomo Lee. You’d think being in one of the biggest cult Japanese bands of the ’90s would make one of your biggest side projects pretty well known, but Yasuharu Konishi’s Girl Girl Girl must be the exception to that rule.

  • Who knows what would have happened in France if New Yorker Valli Timbert hadn’t met filmmaker Philippe Bourgoin, at some Chelsea Hotel, in the late ‘70s? Philippe, not pictured on the cover of Chagrin D’Amour’s self-titled debut, was the French artiste who had fallen in love with rap early on in 1979. Then, via The…

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