art pop

  • Life is something, right? When I conceived of my latest mix for my LYL Radio show, I wanted to capture a certain spirit: that of gently percolating music that bubbles at the edges but never quite reaches a boiling point. My thought was, “On certain trying days, we all need music that consoles us, that…

  • One of the great things about autumn is that it presents an opportunity to share music that’s a bit more ruminative, something that takes its time to reveal its true colors. I’m reminded of this as I revisit Kuo Heng Chi’s underappreciated but surprisingly prescient, contemporary-sounding music, particularly his 鸽子与海 (The Dove and the Sea).

  • With fall fully in season, I think now is a great time to turn over a few leaves I’ve neglected. Lately, my mind has been gravitating toward the music of Japanese singer Kuniko Fukushima and her 1983 leftfield turn, 夢幻 (Mugen).

  • As I write, it sometimes takes me a beat to realize just how connected I am to a person’s story, just as much as I am to their music. Reflecting on the life of the recently departed Serge Guirao, whose long struggle with multiple sclerosis ended in 2021, I’m reminded that for some of us,…

  • Sometimes, it’s the combined power of simpatico ideas that yields the biggest payoff. I remind myself of this whenever I listen to the wonderfully sunny, “summery” music of Carole Serrat. Made in Japan but born in France, Carole’s OSE serves as a perfect gateway into a little-known bit of musical symbiosis.

  • Once again, we’re back at the shoreline or more like: I can’t seem to leave the water’s edge. As summer continues to wind down, I keep going back to explore my kind of deep easy listening: “resort music.” My mind and ears keep heading down to the early works of Moonriders’s Masahiro Takekawa and his…

  • When I think of summer, when I think of the vibrancy of this season, I think of albums like the Ten Plants series, spearheaded by video game composers Nobuo Uematsu and Toshiyuki Sasagawa.

  • If you’re like me, sometimes all it takes is one listen to feel that a certain album or artist should have made a bigger mark. When I listen to Yow Okazaki’s Damage, with its fusion of hip-hop, techno, ambient and French Pop-influenced acid jazz, I think: now here’s music that merits a certain introduction. 

  • I gotta say: some of my favorite albums are those “imperfect” ones. Although they may not contain a complete record full of highlights, all is forgiven, because of those that do exist in one album. It’s those albums like the late, great, Richenel’s Deep As Blue.

  • As I write this post, my mind goes back to the ideas posited in Claire Dederer’s new book, “Monsters: A Fan’s Dilemma”. I keep thinking: to what degree do I promote or endorse the work of Miguel Bosé? At this moment in time, I can’t escape that I vehemently disagree with his most current views…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic