ambient

  • Blue. What does the color “blue” sound like? I don’t believe that’s a question I (or others) easily answer. Barriers to sensation, usually, come via barriers from feel. The eyes can’t experience what the mouth can taste or skin can touch. Traveling. That’s a word that helps. Music can, in some ways, paint a picture…

  • Talk about worlds within worlds. Isn’t that the essence of Keishi Urata’s 世界の果て (Final Frontier)? It’s about combining electronically-imagined sound atmospheres with otherworldly IRL, acoustic instruments. It’s about exploring the edges of jazz, ambient, and traditional music for an imaginary soundtrack to imaginary environs. It’s a work full of mystery from a man whose whole…

  • As I fish my increasingly puzzled brain, trying to suss out words for Amahoro’s Flowering Of The Spirit (いのちの花), I go back to just how unlikely of a story and of a pairing these two came to be. You see, if you didn’t know who was behind the music, you wouldn’t think it was the…

  • With flowers blooming and all sorts of greenery coming to life, I think now would be the time to introduce you to the work Taipei’s Chen Yang and his 現代四季 (Modern Four Seasons). Kindly shared with me by fellow midwesterner, Chris J. Morris, 現代四季 (Modern Four Seasons) is a wonderful, lively work of little-heard or…

  • A wiser person than me once said: serit arbores, quae alteri saeclo prosint or he that plants trees, loves others beside himself. It’s a saying that would later gain life as the old adage, “Blessed is he who plants trees under whose shade he will never sit.” I’m thinking of that phrase specifically because I’ve…

  • I’ve always had a belief: it’s that you can really tell a lot about a person by what they listen to, how they create, or what inspires them to create. As I read interviews with today’s focus, Hajime Mizoguchi, I sense that his music speaks volume of the person he is. Elegant, graceful, yet uniquely…

  • What exactly gives life to any inanimate object? Is it the way it looks? Is it the way we interact with it? Or is it the memories we attach to it? I imagine these were some of the many questions revolving around Yoshihiro Kanno’s head when he was invited to create environmental music to fill…

  • You know, sometimes the struggle is simply trying to quantify how unique something is. I’ve been listening to Liu Xing’s 無所事 (To Do Nothing) for more than a while now and every time I try to find an angle to share it on the site, I backtrack and hold off (thinking I’ll do it and…

  • “Now, we’re all under stress. What music do you need to get rid of it? You can find it with this.” – From the liner notes to ストレス・クリニック<自信がつく> (Stress Clinic) Couldn’t have said it better myself. You see, much like many of you, I am not immune to the stresses of life. And lord knows,…

  • Brace yourselves, let’s see how far I can take this review of Javier Zuazu’s Cuaderno De Invierno (or A Winter Journal). What was this album? 50-odd minutes of Spanish New Age that hovers from impressionistic piano-led instrumentals and wonderfully, minimal, warm and tender ambient mood music. Throw in one gorgeous ballad and once again, I’m…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic