ambient

  • Certain things aren’t lost on me. Whenever I look at my time slot at LYL Radio I feel a sense of responsibility. Each month on Wednesday, I end their programming day. For some, it’s 11 PM Paris time. While for others (like myself) it’s 4 PM Central Standard time. While one part of the world…

  • Let’s hope this post posits something with clarity. You see, yours truly, has been mightily under the weather this week and propping myself up to put words on screen has been (equally) that much of a struggle. Thankfully, this week, Shiho Yabuki’s New Meditation the subject of this post, has provided  perfect backgrounding music to…

  • American Clavé. What a name. Kip Hanrahan is one of those musicians that deserves, mightily, to be a large household name, but for reasons unbeknownst to me, never quite could break that final barrier. No matter how perfect his blend of outsider jazz and instantly “getable” ideas were. We’re worse off as a music culture…

  • Sometimes certain albums force you to ponder just how the heck that certain something was created. Syun’s Landscapes speaks of using fractal theory to both influence and create a lot of what you’re hearing here. Found on older Amiga, Mac and PC computers, software like VistaPro was responsible for creating virtual landscapes in an early…

  • Is it jazz? That’s a repetitive refrain that I’ve been proposing lately to this blog. Native New Yorker, Mark Nauseef’s Wun-Wun is classified under the jazz moniker but it doesn’t sound remotely like it. It all begins with percussive motifs that speak of improv and “free” ideas but settle into Pan-Pacific movements that require very…

  • There’s something I truly love about Tim Clément and Kim Deschamp’s Wolfsong Night that I can’t quite pinpoint. Atmospherically, it just puts you somewhere few albums would know how to actually get you there. Perhaps it’s a place many haven’t ventured to visit lately or often enough: the Canadian wilderness. As tied to its location…

  • Can you ever have too much gamelan? Not with Lou. Lou Harrison’s La Koro Sutro isn’t exactly what you expect. Known for his wonderfully imaginative blend of Asian and Baroque styles, the late/great Lou Harrison much like the more known minimalists — Steve Reich, Terry Riley, etc. — used a profound interest in “eastern” music…

  • If we can thank the heavens for something today, it is for bringing together Mayumi Miyata and Midori Takada. Released as part of CBS/Sony’s short-lived  Sound Forest (サウンド・フォレスト・シリーズ) series,「星雲」~サウンド・フォレスト・シリーズ (Nebula) presents a different aesthetic within that series idea of “environmental music”. Not necessarily made to attract electronically-minded listeners, Nebula is a nebulous blend of truly…

  • Here’s hoping this writeup lasts not much longer than David Friesen’s meditative Inner Voices. What exactly was David Friesen’s Inner Voices? Much like Eberhard Weber in Europe, in America, David was that kind of quicksilver, enigmatic, bass player that played on countless “jazz” records spanning from bebop, free jazz, modal, and other chin scratching, heady…

  • Mix Cover by Huiqian Wu For the longest, I’ve badgered a record label based out of St. Louis, Missouri — Paradise Is A Frequency — to share a mix of theirs on my radio show. For me, it all started with them reaching out years ago, sending out a digital handshake into the void saying…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic