Sandy Denny – 1967 |
Today, I post a track laden with hindsight of what could have been. There was a time when the English folk rock history books could have been rewritten if but a few minor things happened. Released in 1973, but recorded in 1967, by the Strawbs on their album All Our Own Work, in this completely forgotten album laid the foundation for something major that could have changed the trajectory for both groups involved. “Who Knows Where the Time Goes” a Sandy Denny original, would later catapult a different group the Fairport Convention into stardom and bring about English new folk rock’s heyday and the Strawbs would take a different route to rejoin what they gave up.
Sandy and the Strawbs 1967 |
Its this voice, song, and music that wowed the Strawbs when they first heard her play at the Troubadour. The Strawbs by then were another one of those English Skiffle bands who were more interested in Americana music and American folk pop than anything coming from England’s “antiquated” past. However, something about the passionate way that Sandy knew how to sing those forgotten traditional songs and the way she could create her own songs that could mutate and harken back to that same feeling, drew them to her.
All Our Own Work album cover. |
Listen to these two songs though, can you hear why Richard Thompson and Simon Nicol, both guitarists from the then thoroughly American-psychedelia influenced Fairport Convention would jump on the chance to get her in their band? They were, unknowingly, all peas that belonged in the same pod and who could help each other realize their full potential. For damn sure, English music wouldn’t be the same after Iain Matthews and Judy Dyble were replaced by her, and by the time she had shifted those two talented musicians into recognizing the brilliance yet to be discovered in their own heritage and minds. More of that tomorrow, though…
and Two Weeks Last Summer presented a skeleton-like frame for the Strawbs of a Dave Cousins original influenced highly by Sandy:
that would be transformed enormously much later on…then three years later, with her post-Fairport Convetion band, Fotheringay, into this neo-folk triptych: