-
Kate Bush – 1982 You know January, a month so long, a month that appears so taxing at first, whether temporal or corporally, is a month that allows for something few others do: reflection. Reflection, seems to be one of those double-edge words. As much as it it is defined as something that gives back…
-
John Lydon – 1981 Pretend you never heard of a band called The Sex Pistols. Pretend you’ve never heard of a man called Johnny Rotten. Let’s pretend his career started as this unique artist called John Lydon who founded this brilliant band called The Public Image Limited. Forget that you’ve even heard of Metal Box…
-
Now, this is the right time to bring Simon Jeffes’s Penguin Cafe Orchestra back again. Back in 1976, no one was quite ready for their Neoclassical style of chamber folk music. His vision of combining various worldly folk traditions under one shapeshifting sound created a template that touches on a lot of modern post-rock and…
-
The Durutti Column – 1980 Now we’re rounding out to the present. We’re heading into the realm where English folk music goes beyond its traditional boundaries and attains a spectral essence inflecting what it would have sung before. Now comes the realization, that as far removed new folk artists are from their greener rural past,…
-
Kate Bush with her Fairlight CMI Sampler. The 80’s presented a perfect turning point for neo-folk music. More so, it signalled a turning point for truly one of the eras pioneers. Fresh off her wildly successful first tour, she was experiencing for once great tumult with how to go onwards with her career. Now known…
-
Miquette Giraudy and Steve Hillage Soundtracking a true visual experience of sorts, “Garden of Paradise” from Steve Hillage’s Rainbow Dome Musick stirred many a visitor’s brains when it debuted looping at London’s massive proto-New Age Mind- Spirit-Body Festival. Listeners who just wandered through booths filled with info from vegetarian, vegan, yoga, shamanic, and lords knows what…
-
There’s a struggle whenever you try to invoke something. How exactly do you communicate to someone something they have to imagine? There was a time when naturalist John Audubon had to struggle with art critics who looked down upon his realistic depiction of birds. Painting with watercolors, chalks, and pastels he’d distill to the bare…
-
Sally Oldfield – 1979 Something that struck me the first time I encountered Sally Oldfield’s Water Bearer was its brilliant album cover. By combining something real, a staged photoshoot of Sally idling next to a waterfall in some forgotten Irish glen, with an altered color scheme that blends objects and edges to mimic some kind…
-
Kate Bush – 1978 Its taking me a while to suss out how I was going to give due diligence to an artist I admire as highly as Kate. One of the wonders of December is that its a month so long, and at times so cold, that you settle into the warmth of comforting…
-
Paul McCartney at Mull of Kintyre Let me set the stage for you. Sometime in 1977, EMI and a young 19-year old artist tussled over what single to release and launch her career with. Finally released in January 1978, few expected how absolutely out of the norm a song like this would take the whole…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic