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When Yasuaki Shimizu’s Mariah split up their story appeared to end there. Marica’s Jellyfish 海月 proves that Mariah was just a small part of the bigger slice of Japanese Pop music these same members created, that still merits rediscovery. Produced by ex-Mariah members Masanori Sasaji, Jimmy Murakawa, and Morio Watanabe, Jellyfish 海月 finds vocal jazz…
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Those drums! Slagerij Van Kampen’s A Long Walk On A Short Pier is a must have for those who appreciate purely percussive music. A brilliant mish mash of all sorts of “tribal” music, Slagerij Van Kampen’s A Long Walk On A Short Pier takes you out of their Dutch roots and transports you to the…
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One of my favorite instrumental albums needs a bit of backstory. First of all, Satsuki Shibano’s Rendez-vous is not entirely a work of hers. Be that as it may, it’s entirely her own vision you see rework French neo-impressionist composer Pascal Comelade’s prior oeuvre into something far more intriguing. Joined by Yoshio Ojima, and released…
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How many second acts can one artist get? Franco Battiato might already be in his 10th or more. At the time of this release, 1995, Franco was a 50 year old man — keep that in mind. Unworried by what was out there, unhurried to prove anything, Franco Battiato (once again) came out of nowhere…
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Illustration by Laura Gomez I think, no undertaking is ever as enriching if isn’t done with a purpose in mind. For myself, trying to understand and (most importantly) differentiate what makes Japanese Ambient music different than other ways to music led me to an idea. It’s one that I thank NTS for giving me a…
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Leave it to me to create a post that’s not “evergreen” for a record that positively radiates with fun. Imagine Parliament set their mothership to Japan, and along the way picked up Gang Of Four, then decided that they really like techno-kayo music. Well, The Voice & Rhythm, led by the late, great vocalist and…
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This post might be shorter on info than what I’m accustomed to adding, but it’s not for lack of trying. Lins & Ford’s Lonely Shadow, a record with a miniscule pressing, released decades ago on an independent German label set outside of Dortmund, doesn’t particularly lend itself to much (if any!) information to sift through.…
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Simply impressive. What else is there to say about Tsugutoshi Goto’s City Trickles: 街の雫? Most double-LP’s suffer under the weight of their own reach, but the best one’s justify their length due to the sheer scope of that maker’s vision. And boy does Tsugutoshi Goto have one here. From neck-snapping electro, out-there fusion to impressive…
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There’s something special about Haitian zouk music, if you look in the right place. Mushi & Lakansyel’s Koté Ou, much like the cover suggests, is a meditation on the intimate and quite unique musical style of this Caribbean nation. A product of all the touchstone influences that have set foot in Haiti — latin, French,…
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It’s always a good sign when you’re out of step with whatever’s out there. Someone who really lived this idea was one Robin Scott. Robin Scott & Shishika’s Jive Shishika! was a curious release that got shelved by a company who had no idea what to think of it. Before Paul Simon’s Graceland or Peter…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic