• Streams of understanding, via spiritual land bridges, or how a Navajo-Ute found a musical connection with Japanese sonorities/tradition. Somehow, I feel a sense of myself in this music. The first time I heard of Island Of Bows by R. Carlos Nakai (with the Wind Travelin’ Band, Shonosuke Ohkura, and Oki Kano) I was struck by…

  • Illustration by Laura Gomez By fits and starts I struggled, for some reason, to create this latest mix for NTS. I had so many ideas. Scrapping them one by one, until I settled on something. “Fire”, this element could mean so many things. I wanted it to mean one thing: breath.

  • I’m afraid people might get the wrong impression when they listen to the opening track from Michiko Akao’s Yokobue. What’s there to say about “般若波羅蜜多 – Prajna Paramita”? Manning the iconic transverse flute of Japan, the yokobue, Michiko creates a dark jazz funk piece that somehow manages to mix a vocoder in, in a way…

  • Trying to revisit something I wrote about and remember quite vividly, at the time I wrote it, presents two opportunities: the first is to reassess why and how I got into that piece of music. The second opportunity presented by revisiting the past, is whether time has added a fresher perspective since then. When Sifted…

  • Oh, the joys and pains of promoting private press records. First of all, a huge debt of gratitude is extended to one Discogs record collector (mvns) who kindly shared with me this beyond interesting release by Japanese band (or solo act, hard to tell, at times), Milky Way Band. Released in 1989, through infinitely small…

  • An album that was born to be loved but remains surprisingly unfound, is the worst kind of album to introduce a band through. Belgian band Jo Lemaire + Flouze’s Pigmy World sounds unlike anything else in their discography but remains a stunning example of what happens when you reinvent your sound in a way few…

  • Certain albums linger in your mind for certain reasons. Tôsha Suihô’s 四季の笛 (Die Vier Jahreszeiten In Kyoto) or Four Seasons In Kyoto is one that I can never forget. The premise for its creation was simple: master flautist Tôsha Suihô travels to various sites in Kyoto and records himself performing within the environment he’s in. What happens, though, is…

  • For my first show with French broadcaster LYL Radio I felt obliged to engage in a bit of navel-gazing. I began by asking myself: How in the world did I end up having a radio show with a French radio station? These are the things you learn to accept when life opens certain doors for…

  • Illustration by Laura Gomez What is “earth”? This element we can use all our senses to comprehend, means more than just that. For the second part of my series with NTS, I imagine I had an easier task imagining it musically, than “earth” illustrator Laura Gomez had to capture its spirit visually. How do you hear…

  • Guest Mix by Chris J. Morris Editor’s Note: For those who’ve ventured to the FOND/SOUND Facebook group our guest for today’s mix, Chris J. Morris, has been tearing up the board with fascinating share, upon fascinating share, much of it from his personal collection. Showing a deep knowledge of Latin experimentalism, and so much more, I…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic