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Is it jazz? That’s a repetitive refrain that I’ve been proposing lately to this blog. Native New Yorker, Mark Nauseef’s Wun-Wun is classified under the jazz moniker but it doesn’t sound remotely like it. It all begins with percussive motifs that speak of improv and “free” ideas but settle into Pan-Pacific movements that require very…
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Once again, we’re back in England for another journey. If you can entertain me just one more time, I’ll share with you some of the music I feel brings out the best colors of autumn. On this mix for LYL Radio I wanted to take you to those early Saturday mornings at home in November…
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Rather than belabor you with nonsense trying to rectify itself as a theme, I’d rather rectify something I didn’t do last year: share my special hour-long Halloween mix for LYL Radio. For those that tuned in, you were treated to one of my deepest loves: British Folk Rock. Today I’m taking it a bit further.
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There’s something I truly love about Tim Clément and Kim Deschamp’s Wolfsong Night that I can’t quite pinpoint. Atmospherically, it just puts you somewhere few albums would know how to actually get you there. Perhaps it’s a place many haven’t ventured to visit lately or often enough: the Canadian wilderness. As tied to its location…
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Today we’re joined by man of good taste and many great shares, one Mr. Francis Heaney, for a guest post sharing his first of two guest mixes giving you a peek into the work of Japan’s visionary musician: Akira Inoue. A titan of ’80s Japanese Pop and underground music as well, it was his wildly…
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Can you ever have too much gamelan? Not with Lou. Lou Harrison’s La Koro Sutro isn’t exactly what you expect. Known for his wonderfully imaginative blend of Asian and Baroque styles, the late/great Lou Harrison much like the more known minimalists — Steve Reich, Terry Riley, etc. — used a profound interest in “eastern” music…
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If we can thank the heavens for something today, it is for bringing together Mayumi Miyata and Midori Takada. Released as part of CBS/Sony’s short-lived Sound Forest (サウンド・フォレスト・シリーズ) series,「星雲」～サウンド・フォレスト・シリーズ (Nebula) presents a different aesthetic within that series idea of “environmental music”. Not necessarily made to attract electronically-minded listeners, Nebula is a nebulous blend of truly…
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Here’s hoping this writeup lasts not much longer than David Friesen’s meditative Inner Voices. What exactly was David Friesen’s Inner Voices? Much like Eberhard Weber in Europe, in America, David was that kind of quicksilver, enigmatic, bass player that played on countless “jazz” records spanning from bebop, free jazz, modal, and other chin scratching, heady…
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Mix Cover by Huiqian Wu For the longest, I’ve badgered a record label based out of St. Louis, Missouri — Paradise Is A Frequency — to share a mix of theirs on my radio show. For me, it all started with them reaching out years ago, sending out a digital handshake into the void saying…
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Guest post by Giacomo Lee. You’d think being in one of the biggest cult Japanese bands of the ’90s would make one of your biggest side projects pretty well known, but Yasuharu Konishi’s Girl Girl Girl must be the exception to that rule.
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic