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Far be it from me to write anything definitive on the work/life of the late, great Brazilian percussionist Naná Vasconcelos, but let me take a stab to write about a sleeper favorite of mine. Naná Vasconcelos’ Rain Dance wasn’t released on any formative label like ECM, or released with any audacious artist like Milton Nascimento,…
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One hasn’t lived until they’ve experienced the force of nature that is Takio Ito’s voice. If you’ve encountered the soul stirring vocal stylings of Nusrat Fateh Ali Khan, Cesária Évora, Jacques Brel, and James Brown, you’ve come close to experiencing the sheer power of Japan’s own “folk” icon. Takio Ito’s TAKIO-ソーラン節 is an undisputed classic…
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Népzene, or Hungarian folk music, has always been a quietly influential, if not leftfield, version of music. A mix of Old Central Europe and even older nationless Europe, népzene has moved greats like Bela Bartok, Franz Liszt, all the way to Martin György to toy with transforming its deep pentatonic melodies through all sorts of…
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I always found it odd that a musical style tailor made for our generation is both a) little-known (outside of Anglophile circles) and b) devoid of noted umbrella genre. Sophisti-Pop is a made-up termed coined after the fact. Musicians like Paul Weller, Sade, Paul Buchanan, Green Gartside, Roddy Frame, and Paddy McAloon, might have (in…
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And now for some early magic from notable J-Pop producer and songwriter Keiichi Tomita aka Tomita Lab. Complete Samples by KEDGE, for all intents and purposes, is the work of one mind: Keiichi’s. A superbly fun and surprisingly complex work, it reminds me of some of the best stuff from Japan’s earlier City Pop and…
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Uman, pronounced (YOO-mahn), was a unique group. Vacillating from many visions — world music, ambient, jazz, and many uncategorizable things — this French sibling duo has never been a group to easily pigeonhole. Chaleur Humaine, their debut, I think, is a perfectly birthed idea of what they can do. Chaleur Humaine exists in that gray…
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I’m at a loss what to classify the late, great Hideki Mitsumori’s 彩 Colours as. It’s obviously heavily indebted to world music and to all sorts of ethno-music flavors but it’s completely digital with no acoustic instrument in sight. Much like Apsaras, the previous band he led, keyboardist Hideki Mitsumori trades in Japanese New Age…
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A call to worship, that’s what do’a, the original Arabic-Persian name for New Age group Do’ah means. World Dance by Do’ah slots into that imperfect crevice where good ideas fall prey to bad ones (due to appearing over earnestness) look for one false move to write off the whole shebang written as unnecessary/dated. If you’ve…
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Totem proves there’s more than one genius behind the Shimizu family tree. Rightfully, it gives you a peek into the deeply brilliant leftfield ideas of Mieko Shimizu, joining brother Yasuaki Shimizu as another unique branch from that musical lineage. Finding herself in the UK, in 1988, Mieko signed with Chris Cutler’s (of Henry Cow), of…
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Let’s do things recursively. Mekong Zoo’s Minimal Dance is exactly as its written — dance music with minimal gestures. Minimal Dance is the unlikely collaboration between two quietly pioneering Japanese female musicians and another intriguing one from England. A hybrid mix of world music, jazz, ambient, neoclassical, and burgeoning techno, it’s piece together all these…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic