• For those still clinging on to their last bit of summer, there’s always a bit of it near the Mediterranean. Somewhere near Sanremo, I imagine as this centrally-located American, there’s a perfect day being soundtracked by the music on one Mario Rosini (and in this case) joined by Pino Daniele. Balearic du jour, New Age…

  • And now some jazz… *Quietly watches all my readers’ eyes glaze over*. For those who can appreciate the bigger “jazz” picture, here’s Hiroki Miyano’s D / I/ V /E /R /G /E. Showcasing Hiroki Miyano’s wonderfully elegant guitar playing, D / I/ V /E /R /G /E takes great pains not to rock the boat…

  • We all have our palette cleansers. For me, musically, it’s “acoustic” music. I know I have a large readership that appreciates the more electronic, out there, musical selections…but truth be told, when I’m listening to music for relaxation I prefer far more “simple” music. That’s not to say that we should think of simply-sounding music…

  • I hate to apologize for doing this, but once again you’re hearing in a mix of mine some jettisoned-off idea I had once tried to write about. What is “nouvelle chanson française”? Simply translated, it means the new French song. Somewhere, a sorely confused Wikipedia article tries to explain it off as some genre stylistic…

  • Nearing the end of summer I thought it would be nice to revisit a mix I shared with brilliant Lithuanian free-form online station Hao Dao Radio, but held off on sharing here. To bookend a feeling, it makes more sense to hear it now. Loosely based on the little known and (sadly) as heralded work…

  • We’re back in the thick of it. Divining that perfect balance of nature and melody, Satoshi Sumitani now joins us in this long journey through Japanese environmental music. Part of CBS/Sony’s quite forward-thinking environmental music imprint, Sound Forest, 不思議の森~Forest Marvelously~ (or Fushigi no mori, Mysterious Forest) took ideas that were taking root in Japan’s New…

  • Ok, I’ll faint ignorance on this one but is it enough for me to pass up this opportunity? No. For all of my life, I’ve never stepped inside the realm of Swarovski. From a distance I’ve seen their impeccably lit stores, full of impossibly well lit, spotless floors, salespersons decked out in formal attire, and…

  • Truly no one is a prophet in their own land. Simply scroll down and look at the all Japanese superstars of boogie, funk, AOR and all other sorts of genres backing up British-born singer Loretta “Zoé” Heywood. Members of Mariah, the elite boogie duo of Yuji Toriyama and Ken Morimura, shall I continue? Mr. Logic…

  • Sometimes, I feel that there’s no truer saying than this one: “you can never be a prophet in your own land”. It still boggles my mind that a) Coati Mundi’s The Former 12 Year Old Genius has never been reissued in any digital format and b) his work was never remotely as popular in his…

  • Forgive my roundabout way to get back to the healing music of Japan’s Awa record label. I feel like we should go back to Okinawa and discover where it all began. It is on しおのみち (Shio-No-Michi) that Hideaki Masago rounded up like minded Japanese musicians to fashion a label that could tap into ethnic music…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic