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Sometimes you hear the future and you fear it. Yet, sometimes you fear the future and you hear… what exactly? Change.
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The more I curate mixes or tumble down that wormhole called “discovering new music,” the more I find myself questioning how we categorize things. For me, it’s all circling back to how one listens to music.
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Much like many of you, the more time one spends in nature, the more one begins to hear a certain musicality in the earth itself. Whether it’s in the rustle of fallen leaves, the whistle of wind through branches, or the faint bird calls that seem to drift from nowhere, one is never truly alone…
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Don’t you just love listening to something that isn’t easily categorized? When I listen to Mikihiko Matsumiya’s 1994 debut, Mu-Myou (無明), I spend a moment trying to figure out what kind of music I’d like it to be, only to find that music has a right to remain mysterious and this haunting, lovely, album is…
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It’s not often I revisit works from artists I’ve already written about, but when I do, it’s because these other works shed light on a new dimension of their creativity. In today’s case, few artists reveal as many fantastic—and drastic—sides as Naoko Kawai through her work as The Gentle Wind.
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If there’s one thing I’ve learned from a recent trip to Japan, it’s this: I might be too ahead of the curve. And no, not in the way you might think. It’s in turning my recent focus towards music lost in the shuffle of the CD era.
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Life is something, right? When I conceived of my latest mix for my LYL Radio show, I wanted to capture a certain spirit: that of gently percolating music that bubbles at the edges but never quite reaches a boiling point. My thought was, “On certain trying days, we all need music that consoles us, that…
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One of the great things about autumn is that it presents an opportunity to share music that’s a bit more ruminative, something that takes its time to reveal its true colors. I’m reminded of this as I revisit Kuo Heng Chi’s underappreciated but surprisingly prescient, contemporary-sounding music, particularly his 鸽子与海 (The Dove and the Sea).
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Do you feel and see it? Isn’t “Spooky Season” unofficially around us? Whenever a certain air descends on most of us, I entertain certain kinds of records I normally wouldn’t. And in today’s case, on Norihiro Tsuru’s soundtrack to 人魚の傷 aka Mermaid’s Scar, it forces me to revisit a chilling story that really stuck with…
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With fall fully in season, I think now is a great time to turn over a few leaves I’ve neglected. Lately, my mind has been gravitating toward the music of Japanese singer Kuniko Fukushima and her 1983 leftfield turn, 夢幻 (Mugen).
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic