mix
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Cover Photography by @krstnshtlv As a writer, one always has floating on one’s head drafts of things to cover. For various years I’ve always wanted to really tell the story of the music of Brazil’s Minas Gerais region, post-Clube Da Esquina. That’s part of the reason I chose to focus intently on it for my…
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If you’ve followed this blog you’re probably wondering: “Where the hell has he been?” Well, I’ve been taking a break to rediscover some of the music I’ve had little time to catch up on. You guys have to believe me that I take direction just as well as I look for new directions to take.…
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For this mix for LYL Radio I was feeling more than a tinge of nostalgia. Somehow, one day, hearing the plaintive tones of Pat Metheny’s “Sueño Con Mexico” got me reminiscing about where I come from and how much of the music I love comes from music that triggers memories of things I heard when…
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I always found it odd that a musical style tailor made for our generation is both a) little-known (outside of Anglophile circles) and b) devoid of noted umbrella genre. Sophisti-Pop is a made-up termed coined after the fact. Musicians like Paul Weller, Sade, Paul Buchanan, Green Gartside, Roddy Frame, and Paddy McAloon, might have (in…
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Call me a hopeless romantic but I love love songs. This is, what, my third mix about love? Perhaps it’s because I try to empathize with the sentiment. Perhaps because I love the feelings it wrings out of you. I’m just hopelessly in love with love songs. This mix tries to collect some current, not-so-current…
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How do we get beyond the “fourth world” ideas thought of by early progenitors of it, like Eno and Jon Hassell? We begin by seeing it, hearing it, through the eyes/ears of those who felt a need to connect to other traditions as it could form part of their own. The classic idea was to…
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Guest Mix by Klas Trollius Editor’s Note: I thought about what FOND/SOUND reader Klas states below: “connected to place-making (by creating a certain atmosphere, specific to the time and place of a recording) and displacement (by transporting you to a mental, perhaps fleeting place in your own mind)” and it made me truly understand his mix, in…
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Illustration by Laura Gomez I usually don’t gravitate towards writing about something I didn’t include in a mix but I just have to make an exception this time, with the final volume of the Japanese New Age and Ambient series I created for NTS. Satoshi Sumitani’s “金の星と銀の星” (Kin No Hoshi To Gin No Hoshi) from 不思議の森～Forest…
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That intersection between organic and inorganic has been something I’ve been chewing on lately. What makes something one or the other? I’d argue that something as simple as the introduction of sampler instruments revolutionized the way we can make that argument immaterial.
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Illustration by Laura Gomez By fits and starts I struggled, for some reason, to create this latest mix for NTS. I had so many ideas. Scrapping them one by one, until I settled on something. “Fire”, this element could mean so many things. I wanted it to mean one thing: breath.
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic