album

  • Interior music. It seems that this is it, everyone. We’ve spoken before about Hiroshi Yoshimura’s  Soundscape 1: Surround, our introduction to Misawa Home’s foundational environmental music series for Japanese prefabricated houses. You’ve probably heard elsewhere Yutaka Hirose’s entry into the series, a collection of peaceful electroacoustic minimalist pastorales aptly dubbed Soundscape 2: Nova. Then, somewhere,…

  • The more I burrow down rabbit holes, the more I realize music has interesting ways of making (seemingly) strange bedfellows work best together. Case in point: Fania Miñaur’s all too brief career and this album, Deja Hablar Al Tiempo. 

  • If it’s comfort week for me, it’s more music comfort for y’all. And it doesn’t get any more comfortable than Yasuko Agawa’s (aka Miss A) Dancing Lovers’ Nite. On the surface, far from being the jazzy/soulful Japanese pop music she’s much more known for, somewhere, lay something hidden: a fascinating, heart-pumping stab at taking her…

  • It’s not normal for me to phone it in but these aren’t normal times. Yours truly, in case anyone’s wondering, has been under Corona virus quarantine for the past week. In between taking naps, experiencing brain fog, and (in this case) sharing TMI, I’ve taken to going back and listening to my musical “comfort food”…

  • I’ve gotta admit. Few albums stump me to describe. Of the few that do, AQ! Ishii’s and Hiroko Taniyama’s 楠劇場 オリジナル・アルバム (Kusunoki Gekijou) must be up there in my personal canon. Much like Mariah’s うたかたの日々/ Utakata No Hibi, Aragon’s self-titled debut, and Godley & Creme’s Consequences, to name a few close brethren, so too does…

  • I hate giving you just a taste of anything but Né Ladeiras’s Corsaria has to serve as one today. Ambient and ethereal, Corsaria rightfully belongs in a certain pantheon of Portuguese music, much like the work of Zeca Afonso (and others), trying to bridge that gap between the moorless, Portuguese fado tradition and whatever new…

  • Serenity now. Serenity later? Well, not that much later if you’re tuned into the cozy ambiance of little-known New Age musician Chris Stonor aka L’Esprit. Gentle and quietly so unobtrusive, L’Esprit’s sophomore release, Far Journey, somehow gets your attention by doing the little things so right. 

  • It goes without saying that this is the silly season for me. While I would like to drop reams upon reams of knowledge on the ins and outs of Ms. Mio Takaki and her New-Tant, unfortunately, I have less time than normal to do so but I’ll do my best. As for those who appreciate…

  • As I grow older, I grow increasingly dumbfounded. There’s absolutely no reason Michel Lemieux shouldn’t be a household name now. Here I am looking at a video performance from his salad days and I see a superstar. Much like Peter Gabriel and Laurie Anderson, who he is both compared to in his Wikipedia entry, so…

  • More fierce humans to support: Monday Michiru Akiyoshi-Mariano. Where does one start with the wildfly prolific career of Monday? How about the beginning with Mangetsu. Unlike little released in Japan at that time, Mangetsu was the sprawling debut of a young Japanese-American who couldn’t quite suss out any style she wanted to gravitate to (nor…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic