album

  • ♫♩♩♪♫?…just more of that hammock music. You know me, if you’ve followed this site for a while, you’re probably aware by now how this is the time of the year I dedicate to promoting my favorite easy-going music. Usually instrumental, completely breezy and tropical, it follows a trend I believe in. It’s about thinking of…

  • It’s easy to feel untethered when you’re listening to Chen Guoping’s (aka John Chen) Songs From Within (心意). Oscillating across various styles — jazz, neoclassical, ambient, traditional, and New Age — the album itself never feels anchored to any specific border. The main protagonist in this collection, John Chen’s fingerpicking, acts like a liaison speaking…

  • How many of you love being outdoors? Even if it’s just me, I can completely empathize with the mindset being explored by Tatsuya Koumazaki and Febian Reza Pane’s「森の組曲」 / “Forest” Suite. Speaking for myself, nothing feels more refreshing and in a way meditative than walking around some greenery early in the morning. Experiencing the sights,…

  • And now: more of something I wish there was more history to share about — Lotus Kasumi Experience. It’s that kind of a week. Losing and then regaining an old hard drive — thanks, again, everyone! — sometimes yields unexpected surprises. Case in point, the album listed in the headline. 

  • Color me “stumped”. My apologies to Chris, who graciously shared Yon Seok-Won’s 空 (Space & Silence) with me. I did my best to piece together some kind or type of background for this amazing Korean ambient album but ran into an equally large gulf in history. It shouldn’t end this way, of course. Much like…

  • Forgive me for burying the lede but I have to go back to Yassue. For all of those that thought Yassue’s story ended on A Fine Day…I have to share a wonderful coda to that story. A Cosmic Pandora, if you will. Much like Yumiko Morioka’s MIOS, it was their little-known sophomore album that proved…

  • Ambient. New Age. Japan. The tags almost write the post itself, right? Yet, we still have to talk about this intriguing turn by Akira Mitake. Akira Mitake’s Himawari (or Sunflower) was released in 1987 as a complement to, don’t quote me on this: NHK’s 8-part documentary, 日本~その心とかたち~, Japan – Its Heart and Shape, a historical…

  • Simply wonderful summer moods abound in this one. What’s the one I’m referencing? None other than Fernando Girão’s Índio, an intriguing release combining deep Brazilian ethnic and indigenous folk music with new wave, experimental electronics. It’s as Fernando hinted at in the name of his record label, fusion etnica or ethnic fusion. Many moons later…

  • With the recent passing of the late, great Jon Hassell, I think it’s important to break down something worthwhile he’d be proud of playing a role in: Francesco Paladino’s Eroi A Rio. Twelve tracks. If to be believed, inspired by a vivid dream Francesco had where he recorded a concert held in 1993 at the…

  • What is a protest song? Hopefully, as our musical tastes have evolved, one can recognize how the best protest songs are those that abandon any form of sloganeering for something far more personal and in many ways more multi-layered. Moshiri’s Kamuychikap (God’s Bird) isn’t ethnic music. It’s not folk music or traditional song. Moshiri’s Kamuychikap…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic