album
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Is it: “Everything new is old again?” or is it: “Everything old is new again?” Before I left for my visit to Japan, I was freshly reminded of this paradox by (friend of the blog) Chris Morris’s YouTube share of an autumnal neo-folkloric favorite of mine: Begoña Olavide’s Salterio – one I reminded myself to…
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When autumn comes rolling in, I always welcome a fresh wind that shifts my focus elsewhere, towards music with a more folkloric bent. And for some reason, I’m always surprised to be unsurprised by how much there is to harvest from the Irish or Gaelic diaspora. As leaves start to turn and a certain seasonal…
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It’s pretty hard to write about Fukushima’s Karak without not waxing a bit nostalgic. Over the course of two records – Silent Days (サイレント) and Flow (フロウ) – all the music they created hovers around a certain mood and a certain period. For me, their tracks like “明日ヲ見ル丘” and “ゆめのスウプ” instantly conjure up all these…
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Sometimes I have to catch myself. Do I really want to go down the rabbit hole, searching for information…not for some brilliant bit of music…but for…a well-off music production company? If you, like me, have a bunch of records with literally no-name behind who created them, what do you do when you’re staring down Toyo…
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Find your space in the pocket. If ever there was a phrase that I’ve been trying to hammer home lately, on the blog, it’s that. It’s about exploring the work of musicians who moved things around, found ways to pick at frayed threads and bind them together, to build their own work. China’s Säju is…
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First off: a huge thank you for Sara Mautone for cluing me in to this album. I say this, because when you listen to Nina Catarina’s Acordei Com Preguiça I think you’re getting to hear something special. What I believe you’re hearing is part of that ongoing Brazilian musical evolution, influenced by the proximity, culture,…
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Timing. Isn’t that what life’s all about? If you’re there at the right moment, it all works out. If you’re there late, you’re at someone else’s fate. If you’re there too early, all that effort might not be for naught. If you’re speaking about Japan’s Kusu Kusu (and their album, 世界が一番幸せな日 (Sekai Ga Ichiban Shiawase…
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Sometimes there isn’t any time better than the right time to share something. And in my case, it’s now or never, for East Pulse’s Asian Mirage, a fascinating curio or one-shot release by Japanese jazz flutist Toshiaki Yokota and multi-instrumentalist extraordinaire Chito Kawachi, who we’ll get around to later.
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When writing about Viktor Lazlo, the musical alias of Sonia Dronier, my mind began to think of parallels. I kept thinking of the soft, beautiful, Impressionistic paintings of yore. Paintings that appear delicate from afar but reveal a different textural depth the closer you get to each canvas. I say this because I sense sympathetic…
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You know, sometimes you’ve got to step back and realize that there’s only so much thread to pull at. It’s not ideal, but it’s something I keep reminding myself of when I have to write about (or share an album) much like Sha’aban Yahya’s Return To Jogja.
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic