album

  • Heady, windswept, gauzy saudade that could only come from someone like Sonia Angelica De Carvalho Rosa, are things that don’t quite reveal themselves when you hear Samba Amour. Sonia Rosa had an unlikely musical career. Although she was born in São Paulo, Brazil it wasn’t there where’d she stake her claim to fame. A precocious child, she taught herself Joao Gilberto’s songs when…

  • “Forget your sorrow let’s start livin’ for today” those are the sublime spliced verses that kick off this monumental piece of house music. Before such a word “house music” even existed only a few people were hip to the possibilities inherent somewhere deep in the mind of English soul band Imagination. Night Dubbing was the sound of Imagination stretching to…

  • I’m looking at the liner notes to Sly & Robbie’s Language Barrier right now. Performances by Afrika Bambaataa, Bernie Worrell, Mikey Chung, Manu Dibango, Wally Badarou, Herbie Hancock (!), Bob Dylan (!?!?), and production by Bill Laswell…I keep asking myself why in the world did this not make a dent in anyone’s memory? By the looks of their…

  • Back in 1979, French musical giant Serge Gainsbourg travels to Jamaica, meets up with hugely influential dub producers Sly and Robbie, then proceeds to create this controversial 30-odd minutes of “freggae” featuring Rita Marley’s erotic background vocals. It’s a scene that so thoroughly infuriated his own critics, and through one controversial song, infuriated all sorts…

  • Music For Silent Movies, it’s all there in the title. Koji Ueno, one half of Japanese duo Guernica (the other half being Jun Togawa from Yapoos), takes their subversive take on the era of “The Greatest Generation” to its logical evolution/conclusion by creating a soundtrack to the lesser known sounds of that period. Thoughts of musique concrete, serialism,…

  • Sun-lit, rainbow music for respite after rainy days. That’s how I would describe Alap Jetzer’s largely acoustic renditions of Hindu guru Sri Chinmoy’s compositions. Attracted to the same devotional spiritual path that struck other musicians like Pete Townshend, Carlos Santana, Narada Michael Walden, and Roberta Flack, so was this young Swiss instrument maker and multi-instrumentalist…

  • Everytime I put on Syoko’s Soil I have to do a double-take. Seriously? The music coming out of my headphones right now was made by the same person who created the My Neighbor Totoro soundtrack and Kichijoutennyo. Sonically, I can see the connection to the latter but stretching the conceit to his countless Miyazaki soundtracks seems to question his elasticity…

  • New age records shouldn’t sound (or look!) as fun as German Büdi Siebert’s Hmm…, but I wager no one ever asked Büdi where his records should be classified. If I could compare him to anyone, it would most likely be Don Cherry, a similar artist who has no specific style but a magnificent taste in music. Straddling…

  • quiet

    It still boggles my mind that Quiet! was in fact crafted by the same artist who sang in the proto-Asian Underground hit “Ever So Lonely“. A severe departure from the proto-Asian Underground Pop she’s known for, Quiet! showed Sheila Chandra working untethered, trying to go beyond the Orientalism of her past work and push it forward in directions that weren’t entirely…

  • music for massage

    What a lovely hour of music. What’s else is there to say about Ric Kaestner’s criminally unknown Music For Massage? “an hour of soothing music designed for massage therapy” is what the cassette cover states on the Japanese-influenced woodblock album artwork, for once who am I to disagree? Made up of two cassette sides – one a-side devoted…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic