album

  • As I write this post, my mind goes back to the ideas posited in Claire Dederer’s new book, “Monsters: A Fan’s Dilemma”. I keep thinking: to what degree do I promote or endorse the work of Miguel Bosé? At this moment in time, I can’t escape that I vehemently disagree with his most current views…

  • One of the blessings afforded to me by choosing this small platform to hold a conversation, is that I get to talk about artists like Rosana Fiengo. While other sites may go back in history, rewarm stories about “ye olde classic rock band”…or worse…act as a gatekeeper, confusing rarity and exclusivity for something of value,…

  • Isn’t pop music such a fickle beast? It seems, one moment anyone could hold the world’s glimmer…only to be shuttled off when the next “objet d’affection” takes their place. It’s its built-in double-edge cut that gives pop music its ever-evolving staying power, fueled by its voracious appetite for whatever’s fresh to burn through. Sometimes, it’s…

  • No joke, I too sometimes feel puzzled as you might be with what gets shared on this blog. On a regular day, I’d skirt around sharing something like Thomas Diethelm and Santino Famulari’s Diethelm/Famulari. It could be because there’s little to no information about the musicians…a major reason I hold back, often. It could also…

  • Few artists have done quite as much to advance the idea of a “nuevo canción” quite like Argentina’s Silvia Iriondo. Yet, perhaps, her most impressive work, 1990’s Silvia Iriondo remains quite a mystery. In it you hear Silvia – with help from Argentina’s experimental fusion and jazz scene – give voice to the little-admired music…

  • One thing I love about conducting interviews is that these kinds of conversations always lead to new discoveries. It’s rare that I share a conversation with an artist I haven’t in some shape or form already introduced to you before. However, Makihiko Araki isn’t quite like any artist. As heard of Eiji’s wonderful mix for…

  • Vibe with me for just a bit longer. As you can surmise, lately, I’ve been touching on a more universal kind of music. It’s this shift that’s letting me to revisit and share some of what I think has flown under the radar. And in today’s case, it’s Yoshimi Iwasaki’s daring and quite forward-thinking reemergence…

  • When I wrote about Rie Miyazawa, I knew I’d have to come back to share another interesting side trip she’d take. In this case, it’s Rie’s work with Tadashi Namba and Takeshi Itoh on Tokyo Elevator Girl (東京エレベーターガール), a fascinating coda to her inspiring early ‘90s period, a soundtrack to Japanese TV drama of the…

  • Out of all the things I remember about my time in Japan, funny enough, one thing I can’t seem to forget is this: just how “French” so many things are. Walking down the street, shopping around, looking for a bite to eat (or just a place to relax), more often than not, you’re bound to…

  • Sometimes the hardest thing isn’t putting words on screen. Sometimes the hardest part is finding space to write about a certain piece of music you’re not completely certain others will understand (or have the patience for). Unfortunately, you know me, and you know I have patience to spare and more than enough time to choose…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic