album

Miles Davis/Marcus Miller: Music From Siesta (1986)

2018/05/22

Marcus Miller, this is your redemption song. Marcus Miller. Marcus Miller, man, where do I begin? For so long, had I absolutely loathe what you did to one of my all-time favorite musicians. It was your slap bass that figuratively sunk Miles Davis’s career when he needed you the most — really. You were the…
Dave Stewart & Barbara Gaskin: Up From The Dark (1986)

2018/05/08

I think the right phrase for this one is: “all my Christmases came at once”. Never before had I thought I’d be able to bring up someone from my very, very early blog past, in this latest version of it, in a way that made perfect sense. Dave Stewart & Barbara Gaskin’s Up From the…
Romie Singh: Masters (1986)

2018/05/01

Romie Singh’s Masters is more than just one killer 12” dub plate surrounded by lord knows what. Masters is a wonderful reminder of the bit of delightful weirdness that Romie was able to capture in a bottle, some months in Hamburg, in 1986. Masters was an early collection of proto-future Pop from someone who managed…
Kazutoki Umezu: Diva (1988)

2018/04/27

It’s not often you stumble upon an album quite like this one. A huge debt of thanks goes out to a fellow reader, Francis, for sharing Kazutoki Umezu’s Diva with me (the first of two, from him, I’ll share with you). I’m still grinning from end to end just looking at the credits of this…
Imagination: Shake It (1980)

2018/04/24

From Germany, via the intriguing mind of Düsseldorf-native, multi-instrumentalist Uwe Ziß, comes this unlikely marriage of AOR, balearic, post-disco, funk, R&B, Krautrock, southern boogie, and soft rock. Perfect for days, much like this one, when your loyal blogger has very little time to actually write/keep up with my own set, writing deadlines. Nothing gets closer…
Judith Ravitz Participagao: A Banda Do Zé Pretinho – Bolerio (1983)

2018/04/17

Perhaps Yehudit Ravit’s story can explain the appeal of Brazilian music to the Israeli citizenry. Not to go into deep into cultural history (because Brazil does play a role in it to its storied, political relationship with Israel), but it seems due to its location right on the Mediterranean and it’s quite lovely, simpatico weather,…
André Geraissati: DADGAD (1988)

2018/04/10

Well, this one’s a tough ‘un to describe. Meditative, elegiac, and at points quite melancholic, André Geraissati’s DADGAD is another instrumental, guitar album that uses it’s one voice to say so many things. In this case, it is André Geraissati’s wonderful fusion of Americana and Anglophilic roots music with Brazilian sambista rhythms and edgings of open-tuned “eastern” music…
Shadowfax: The Dreams Of Children (1984)

2018/04/03

Clowns to the left of me, jokers to the right, here I am, stuck in the middle with Shadowfax’s The Dreams Of Children. Clearly, a dividing line between their more celebrated/known early work as Windham Hill darlings of jazz/fusion and their later work as ultra-smooth New Age group, The Dreams of Children (seems to me)…
Terry Day Featuring Laura Davis: Look At Me (1987)

2018/03/20

From French record label Nato comes another wonderful batch of Jazz not Jazz. Look At Me, the debut from English multi-instrumentalist Terry Day, is unlike little else he would be known for. Surprisingly romantic, ragged but in a very smooth, put-together way, and (on the great bits) sounding not that dissimilar to the work of Paul…
Grupo Zambo: Bahia, Grupo Zambo (1976)

2018/02/13

A mix of white and black. A mix of religion and spirituality. A mix of cultures, class, and race. Brazilian Bahian musical group Grupo Zambo does its best to look beyond miscegenation, to really get to the root of Brazilian musical folklore and experimentation. Bahia, Grupo Zambo, quite rightfully, holds a mystical memory to anyone…