album

Yuki Saito (斉藤由貴): Love (1991)

2020/01/10

I have a confession to make. I have a distinct aversion to “girl” singers. I like my male singers to sound like adults. I like my female singers to sound like adults, too. Basically, I can’t stand when someone plays the role of a tart (with no irony), no matter what gender normative noun they…
Various Artists: A GRP Christmas Collection (1988)

2019/12/24

Don’t you just hate the holidays? Don’t answer that. If anything this time of the year teaches us is that we need to find ways to forgive and move forward. Don’t you just hate Christmas music? Don’t answer that. I used to. Now, I’ve seen the light (so to speak). Perhaps this whole month I’ve…
Steve Kindler: Automatic Writing (1985)

2019/12/18

Let’s do things in reverse. Let’s revisit the work of violinist Steve Kindler. Perhaps better known for his work with John McLaughlin and Jan Hammer, one would be surprised to discover how much more sweeping and romantic his solo work was. And it doesn’t get much more “sweeping and romantic” than his, sadly, nearly impossible…
Mark Nauseef: Wun-Wun (1984)

2019/11/12

Is it jazz? That’s a repetitive refrain that I’ve been proposing lately to this blog. Native New Yorker, Mark Nauseef’s Wun-Wun is classified under the jazz moniker but it doesn’t sound remotely like it. It all begins with percussive motifs that speak of improv and “free” ideas but settle into Pan-Pacific movements that require very…
Lou Harrison: La Koro Sutro (1988)

2019/10/22

Can you ever have too much gamelan? Not with Lou. Lou Harrison’s La Koro Sutro isn’t exactly what you expect. Known for his wonderfully imaginative blend of Asian and Baroque styles, the late/great Lou Harrison much like the more known minimalists — Steve Reich, Terry Riley, etc. — used a profound interest in “eastern” music…
Haruo Kubota, Yasuharu Konishi, Tetsutaro Sakurai: The Historic Recordings From The “Girl Girl Girl” Radio Show Volume 3 (1995)

2019/10/04

Guest post by Giacomo Lee. You’d think being in one of the biggest cult Japanese bands of the ’90s would make one of your biggest side projects pretty well known, but Yasuharu Konishi’s Girl Girl Girl must be the exception to that rule.
Dagobert Böhm: Acoustic Moods (1987)

2019/10/01

One of my favorite things to see on an album are liner notes listing guitar tunings used within. As a musician myself, I see a certain humility in doing this for others, because in essence you’re exposing some of the magic you had to conjure up for others. I think doing so, I think you’re…
Mario Rosini: Mediterraneo Centrale (1992)

2019/09/24

For those still clinging on to their last bit of summer, there’s always a bit of it near the Mediterranean. Somewhere near Sanremo, I imagine as this centrally-located American, there’s a perfect day being soundtracked by the music on one Mario Rosini (and in this case) joined by Pino Daniele. Balearic du jour, New Age…
Andreas von Wangenheim: Orlando – 12 Poems For Guitar & Ensemble (1989)

2019/09/17

We all have our palette cleansers. For me, musically, it’s “acoustic” music. I know I have a large readership that appreciates the more electronic, out there, musical selections…but truth be told, when I’m listening to music for relaxation I prefer far more “simple” music. That’s not to say that we should think of simply-sounding music…
Satoshi Sumitani (住谷智): 思議の森～Forest Marvelously～ (1986)

2019/08/30

We’re back in the thick of it. Divining that perfect balance of nature and melody, Satoshi Sumitani now joins us in this long journey through Japanese environmental music. Part of CBS/Sony’s quite forward-thinking environmental music imprint, Sound Forest, 不思議の森～Forest Marvelously～ (or Fushigi no mori, Mysterious Forest) took ideas that were taking root in Japan’s New…