album

  • More magic from the Salt Road. Hovering in between the space of other Awa Muse alumni comes another one from the East, from Osaka to be precise, Kosei Yamamoto’s East Ward. Hard to pinpoint, East Ward, focuses on a fourth world-esque blend of Japanese ambient New Age and jazz. And much like the works of…

  • What a week? Now that we can breathe again, I’d love to share a bit of music that seems to have given me a bit of respite lately. A bit twee for some, a bit too measured for others, for some reason, the pianoscapes of Michael Jones have hit that perfect spot for me lately…

  • Get your wet boots, we’re going off the salt road with the brilliant Japanese kalimba master and kalimba maker, Bun. Koh-Tao’s Tayu-Tayu is a furthering of a sound you were introduced to in Awa Muse’s wonderful fourth world compilation series, Shio-No-Michi. Here we get a chance to listen to what originally was a four piece…

  • If you’ve followed this blog for a while now, you’ve probably realized that I make no bones about my love for and promotion of folk music. And, usually, around this time of the year you actually get a bigger peek into this, one of my earliest musical loves, via various albums or mixes I share…

  • To be completely honest with you, I’m still struggling to assess how to introduce you to Goffredo Haus’s Musiche Per Poche Parti. For many it will easily wear the crown of minimalism and experimental music. For others, who can get past its very silicon-based creation, it might speak to a fourth wave of electro-acoustic music…

  • It’s time to fall back. Rather than entreat you with another long-winded overview of another artist’s work, how about we revisit just one more time this other work by Shinsuke Honda: Silence. Whereas Banka (Late Summer) played to the varied moods of late summer, of course, Silence from its album cover to its ruminative, meditative,…

  • Let me be forthright, I wish I had more info to share about this album. Doris Monteiro’s Agora, released in 1976, was a revelation then as it still is now. It’s a funk album, it’s a chanson album, it’s a detached post-bossanova album, it’s a whole bunch of other unclassifiable stuff, but first (and foremost)…

  • For such a short solo career Gianni Nocenzi’s work is quite mercurial. In the span of two albums, recorded five years apart, this giant of Italian prog released music that sounded like little else he’d ever do. Most importantly, here, in 1993’s Soft Songs he tries to cross a bridge few would actually venture to…

  • Sometimes half the battle choosing what to share on this blog is figuring out how to describe music that has trouble defining itself. Berlin’s Achim Gieseler, aka Jakino, of Jakino’s 7th World has no such problem. Achim had a long career making music for films, theater, and television, and an equally varied career backing up…

  • Editor’s Note: For today’s post we’re joined by Tristan Pollack sharing a wonderful recording (a collaborative work) between Japanese pop star Seri Ishikawa and totemic composer Toru Takemitsu. According to his bio: Tristan is a composer, musician, writer, born in Tokyo and based in New York City. He has scored original music for feature films…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic