album of the month
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How long can you hold on to a secret? Two years, that’s how long I’ve been holding off on sharing Fred Simon and Liz Cifani’s masterful Time And The River, another in a series of quite autumnal, pastoral, ambient/New Age records that speak to some kind of not-so-profoundly “American” universality. “How come? And how so?”…
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Editor’s note: Ayuo was kind enough to email some corrections to my review. I’ve included them inline for readers to take in. It’s never easy to be the first in anything. Kazue Sawai’s whole career is a living testament to this with multiple convictions rendering their verdict on her choices. In 1987, she chose to…
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Now here’s a man after my own musical heart. Untied to any single genre or set on creating some easily classifiable, Mark Wood’s La Mezcla takes a tastemaker’s approach to the DJ mix and applies it to the musical medium: the album. Sadly, on his only release, on La Mezcla we hear all sorts of…
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Sometimes I think various music reviewers and blogs bandy the term “floating” a bit too loosely with music. What some might think of as a floater seems to be a bit lightweight to me. However, in the case of Hiroki Komazawa’s Feliz, no other term comes closest to describing it. Here there is just one…
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One of my worst kept secrets is my love for Diana Pequeno’s Mistérios. It’s no mystery that it hits all the points I love about music: it’s dreamy, it’s complex but easy going, it’s the product of an artist going out on a limb (in a way most wouldn’t expect). Most importantly, the reason Mistérios…
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I’m glad we’ve gotten hints of the special work Lee Byung-Woo has done quietly behind the scenes in his native Korea. I wager some of you’ve already heard his music soundtracking Bong Joon-Ho’s brilliant films like The Host and Mother. Somewhere lost to our shores has been Lee Byung-Woo’s earlier trailblazing career. 1989’s 1집 –…
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I should stop saying this but it still boggles my mind that certain names aren’t more well known everywhere. Case in point: one Daisaku Kume. A rarity in the Japanese music biz, Daisaku Kume’s Eastern Shore was one of the few early Japanese ambient records released outside of Japan. An even bigger rarity was that…
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Top down, shades on, it’s time to take Nico’s Valerie out for a spin. Featuring the sterling work of twin brothers Mamoru and Shigeru Shimada, Japan’s answer to America’s Alessi Brothers, so too does Valerie inhabit that same wander zone of genre-defying AOR. Not quite City Pop, not strictly Pop either, it shows all the…
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Maybe those who still vaguely remember England’s proto-Acid Jazz scene can better place Animal Nightlife in an appropriate context, but how in the heck did such a group not become a household name like Culture Club, Soul II Soul, and Spandau Ballet? Unfortunately, now tucked under the “where are they now” section, Animal Nightlife was…
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It almost seems criminal to listen to Gaia (An Ecological Meditation) by Belfast’s own David “Hopi” Hopkins through headphones or inside (through speakers). Created, initially, as an exercise to create spontaneous, organically-generated music using as “lo-tech” instruments as possible, morphed into David tapping into more of that primordial power found within ancient tools. Drone tubes,…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic