album of the month
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I’m still venturing to think that 1992 must have been a very special time for Japan. If you caught my post about Hiroshi Fujiwara’s Subliminal Calm you would be wise to notice a shift in mindspace and soundspace taking hold then and there. Serious economic bubbles popping had led to a younger generation to grapple…
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Life is something special, isn’t it? That’s something you can palpably feel in the music of Larry Levan. When he introduced music to the dancefloor he reimagined the music in a way the originals (possibly) never imagined. In a way he made that music everyone’s. Was Gwen Guthrie’s music ever truly hers? Was it ever…
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Now, I finally feel that we’re ready for an album like Mebae Miyahara’s Port・fo・lio. But first a huge thanks to Giacomo Lee for sharing it with me and, by extension, with us. Full of wonderfully gorgeous, lilting tropical techno-pop, Port・fo・lio should instantly remind you of all those artists you might have heard in the recent Walearic…
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What a shining moment. It took Mecano two albums to properly shake off being also-rans, to truly get to what made (or would make) them special. Mecano’s Ya Viene El Sol is an electro-pop album but it’s also one slippery enough to fit many other styles and genres, yet still come off as theirs. Outside…
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Holding fast to some heartfelt theory, I do believe the best musicians aren’t always, exactly “musicians” themselves. Joining us today in our personal, illustrious group which includes Steve Hiett and Brian Eno, is native Frenchman Jean-Michel Gascuel. In the span of two years, from 1982 through 1984, Jean-Michel Gascuel released two albums C’Est L’Premier Pas…
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Whenever I put on Subliminal Calm’s first and only release I immediately think of spring. Featuring a sublime mix of country, dub, folk and soul music, Subliminal Calm could only have been created by the inspirational minds behind it. Appropriately titled, there’s something quite delicate and beautiful in this set of music from minds that…
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When we last left off discovering the “comfiest music” on earth (all self-appointed, of course), Gontiti was gently surprising me both at a Japanese hair salon and, later on, at home discovering their little known, early experimental work. Today, I go even further back, to their beginnings as a duo ever more in tune with…
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Donovan’s A Gift From A Flower To A Garden, Paul McCartney’s Ram, Kate Bush’s The Dreaming, or Clifford T. Ward’s Mantle Pieces, these are a few of the albums I hold quite personally in my heart space. Completely earnest, lovely, bittersweet, precious, and intricate, they exemplify a certain spirit or spirits that are sorely lacking…
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I might be stringing myself out there but it’s due time for me to bring up the unbridled, unheralded genius of Seiji Toda — and to be more specific: Real Fish’s Tenon. Much like Scritti Politti’s Green Gartside, one listen to a Seiji Toda group — Shi-Shonen, Real Fish, or Fairchild — or his production…
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Disclaimer: If I’m wrong on Ossian, please let me be wrong spectacularly. Usually, I do my due diligence and keep some note or bookmark some site when I discover a particular history that could help me write about an artist in the future, whenever I get back to covering them for FOND/SOUND. In this case,…
ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic