album of the month

  • There’s a moment in Hiroya Minakuchi + Missing Link’s Dolphin that never ceases to take my breath away: a minute into “The Cradle Of The Ocean”, the sound of actual dolphin speech mingles with a plaintive piano melody to deliver a sublime aquatic ballad that exudes what I think is perfect example of “womb music”.…

  • Somehow, it’s becoming a recent recurring theme of mine to highlight outside the box music creators. Some of my favorite albums are those by artists whose first creative outlet isn’t exactly music per se. On Poema A Dos Voces we’re treated to such a spectacular vision by Basque poet, sculptor, psychologist and singer-songwriter, Ana Benegas…

  • Can I say something? I’m beginning to empathize more with the creative mindset of one Henry Kawahara than with one of Hiroshi Yoshimura. I say this not to inflame any passions but because I’m appreciating how he comes to terms with creating his kind of music. Far from the studied, mannered, ambient, Japanese kankyo ongaku,…

  • I think that just about does it. If you had on your bingo card Toshiyuki Honda to complete the Japanese “saxophonist goes Avant Pop” game, you’re the winner now! Joining the likes of Yasuaki Shimizu, Genji Sawai, and Hiroyasu Yaguchi, comes Toshiyuki’s Saxophone Music, another album redefining what is exactly that: music played by saxophonists.…

  • Is it alright it if I take it easy on this one? I doubt Rob Mounsey would have wanted us to over analyze his Dig. Functioning at my preferred meeting of fun, inventive, and memorable art, Dig is the increasingly rare album that is all of that while remaining distinctive enough to warrant further exploration…

  • A leftfield reimagining of vaunted Afro-Cuban jazz classics, in a new school “futuristic” Japanese Pop style, shouldn’t sound so interesting as it does in Today’s Latin Project. Launched on the demise of one famous group (The Tokyo Cuban Boys) and the rise of one important, new musical voice, Yasuaki Shimizu, you’d expect something titled Today’s…

  • Somehow, I’m stumbling on a theme. This is the second start of the week where I share the utterly brilliant work of another ethnomusicologist. In today’s case, it’s for good reason, I have to share what I consider is one of the Balearic masterpieces — Riccardo Giagni’s Kaunis Maa. Perfect for summer, Kaunis Maa is…

  • My apologies to my less than trusty Google Translation app, but there are only a few things I can describe as legibly belonging in the shared space of Yuki Nakayamate’s Octopussy. Names like Roxy Music, Matia Bazar, August Darnell (as part of Dr. Buzzard’s Original Savannah Band and Kid Creole and the Coconuts), and Grace…

  • If one can remember anything of French-Lebanese musician Gabriel Yacoub, it’s of the time he fronted progressive folk group Malicorne. Under Malicorne, one could hear ideas fomented from prior work with the Alan Stivell band. A mix of forgotten Breton music and experimental folk, Malicorne sounded like little else (closest brethren being Clannad, elsewhere). As…

  • Coming in clear, not just a message from Min’yō but one of other beautiful Japanese folk traditions from the Muromachi period and others from deep sōkyoku compositions, albeit transformed via newfound ideas (of newer ages), as played through by the late great clarinetist Koichi Inamoto. To put it simply: Well, what’s the Message From Min-Yō…

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental folk-rock fourth world Funk fusion japan jazz minimalist neo-folk neoclassical new age walearic