album of the month

  • Don’t you just love listening to something that isn’t easily categorized? When I listen to Mikihiko Matsumiya’s 1994 debut, Mu-Myou (無明), I spend a moment trying to figure out what kind of music I’d like it to be, only to find that music has a right to remain mysterious and this haunting, lovely, album is…

  • It’s not often I revisit works from artists I’ve already written about, but when I do, it’s because these other works shed light on a new dimension of their creativity. In today’s case, few artists reveal as many fantastic—and drastic—sides as Naoko Kawai through her work as The Gentle Wind.

  • One of the great things about autumn is that it presents an opportunity to share music that’s a bit more ruminative, something that takes its time to reveal its true colors. I’m reminded of this as I revisit Kuo Heng Chi’s underappreciated but surprisingly prescient, contemporary-sounding music, particularly his 鸽子与海 (The Dove and the Sea).

  • To quote a famous repartee: “Nevertheless, she persisted.” If one could attach a north star to Kay Huang (黃韻玲), it would be that – a persistence that paid off, showing the mettle she’s made of. With fall hovering in the air, and just days past its recent reissue and Kay’s birthday, let’s revisit (or more…

  • As I write, it sometimes takes me a beat to realize just how connected I am to a person’s story, just as much as I am to their music. Reflecting on the life of the recently departed Serge Guirao, whose long struggle with multiple sclerosis ended in 2021, I’m reminded that for some of us,…

  • Lately, I’ve been thinking about how we remember our past. As summer continues winding down and vacation time dries up, I’ve been reflecting on how we try to capture those special moments in the places we visit, whether on holiday or during a break from day-to-day life. How does one remember these experiential places? Increasingly,…

  • When I think of “relaxation music,” I envision music with a Brazilian touch. It’s that kind of music that carries a certain breeze, a sense of yearning, and bittersweetness that evokes the transition between the heat of summer and the coolness of fall. In considering Japan, as we often do, my thoughts turn to Jun…

  • I hate the old saying, “they don’t make them like they used to.” However, in the case of Atsuko Okuno – better known as Iria – you could argue that she has always made herself into exactly what she wanted to be. From pioneering Japanese girl punk rocker to her wonderful left-field turn as a…

  • Sometimes, it’s the combined power of simpatico ideas that yields the biggest payoff. I remind myself of this whenever I listen to the wonderfully sunny, “summery” music of Carole Serrat. Made in Japan but born in France, Carole’s OSE serves as a perfect gateway into a little-known bit of musical symbiosis.

  • With nearly everyone transitioning into late summer, my mind (and ears) lately come back to Yoko Kanno’s music. It’s not Yoko’s out-there jazz for Cowboy Bebop nor her cyberdelic contemporary work on anime like Macross Plus. No, it’s Yoko Kanno’s little-heralded, windswept, breezy, Balearic soundtracks for Koei’s 大航海時代 (aka Uncharted Waters) video game series.

ambient art pop art rock balearic brazilian electro-acoustic england environmental music experimental fourth world Funk fusion japan jazz minimalist mpb neo-folk neoclassical new age walearic